The Accidental Radical

WHY  LONG  JOHN  SILVER’S  IS  MY  FAVORITE  RESTAURANT

RRG-radical-3On the evening of May 4, 1970, at the University of California at Berkeley, I became the director of the Peace Information Center.  Earlier that day poorly trained, poorly commanded National Guardsmen had fired randomly into a Kent State University crowd protesting the official expansion of the Vietnam War into Cambodia. The guardsmen fired for 13 solid seconds, killing four and wounding 13.  At Berkeley you’d try to get to class, but students would hold sit-downs, blocking hallways, piling themselves into doorways so you had to step over them to enter classrooms.  That evening I happened to find myself at an emergency student meeting when my friend Gail Hart swept in and sat down brusquely next to me.  “Like, they shout at you, ‘Four students were killed today and you want to go to class!’ It’s suuuch a guilt trip,” she said, taking a cardboard basket of food out of a white paper bag.

I had a headache brewing.  I was starving.  “What’s that?” I asked.  “Just fish and chips,” she said, and proceeded to eat all of it without offering me one single crumb.  Angry voices pressed us, shouts bouncing off the walls faster and faster.  My hunger grew.  It was at the center of my consciousness when I found myself shouting, “Shut up!  Shut up!  I’m hungry!  My head hurts!  Does anyone have anything useful to say?!”  The room fell silent.  Seconds later I heard someone say, “No, big shot, you got anything?”

I remember mumbling something about how I worked at the library and could get us at least one of those huge library tables, and how there were so many peace groups around that didn’t know what each other was doing, and how maybe we could bring all our stuff to one place and get coordinated.  Suddenly, I was director of “The Peace Information Center.”  I still have the sign they made for me to sit behind two days later when it opened.  It read: “Desk Attendant.”  But at that exact moment in the meeting, I was mainly still hungry.

I’m Filipino and supposedly know everything about fish, but I had never seen anything like what Gail Hart was eating.

DeskAttendant2A week later the director of the university library, one of the world’s largest, summoned me to his office.  He had a big desk.  He had a crystal chandelier.  I entered his office through double doors.  Seated at his desk he was framed by a beautiful arched widow behind him.  He crooked and uncrooked his right index finger at me again and again, motioning me to stand on a beautiful oriental rug that graced the floor in front of his desk.  Surveying the wondrous décor, I slowly realized that this is what it meant to be “Called on the Carpet.”

“See here, Guzman,” he began.  “We have information that you and some of your friends are planning to bomb the library.”  I blacked out, though I don’t think I fell over.  When I came to seconds later, I remember thinking how far I’d kept myself from Berkeley’s famous radical movements, movements that had struck and closed the university four times during my undergraduate career, had made National Guardsmen and helicopters and caustic teargas a regular part of my curriculum, had pissed off then-governor Ronald Regan so much that he had flipped a bunch of us off as he disembarked a helicopter that had whisked him to campus to survey the disobedience.   When hoards of students demonstrated against the university’s attempt to evict hippie squatters from one of its empty lots, I had refused to take part in the so-called People’s Park Protest, even though the popping P’s sounded good to my English-major ear.  True, I had played a part in the Third World Strike that had shut down the campus for days and resulted in the establishing of the country’s first ethnic studies college; but I had played a peaceful part, and to this day I have no idea how the leaders of that protest found me.  And, honestly, I had wandered into that Black Panther Party meeting by mistake and been called a fool for standing next to a window just inviting white snipers, supposedly scoping us from adjacent high risers, to pick us off.

Peoples' Park Protests

National Guard confronts Peoples’ Park protestors

“Get down, fool!” someone hissed, shoving me to my knees.

“Oh,” I whispered, crawling backwards quietly towards the door.  “This isn’t a meeting for the ethnic studies college?”  Outside again, but still on my knees, I eased back up, hearing scraping on the inside as they jammed a large chest of drawers back against the door.

I was tainted all right, but it wasn’t my fault.

It was Gail Hart’s fault.  Especially this time.  But as I protested my innocence to the library director and heard him sneer, “Either tell us where the bombs are or…,” I knew I could never ever blame her.  The “or,” by the way, was that I’d have to go on bomb patrol with the police, whereupon, as I continued to flubber my innocence, the double doors behind me opened to reveal a couple of policemen with a bomb sniffing dog.

I could never blame Gail because, to tell the truth, I’d always had a crush on her.  She was tall and thin, but voluptuous.  Small waist, luscious breasts, long, dark brown, wavy hair framing a beautifully white face—lightly freckled, but perfectly so.  In my mind’s eye, I saw that face when I did go on one round of bomb patrols with the dog and his police handlers.  And, actually, a bomb did go off, but it was just a smoke bomb someone had carefully placed in a metal trash can so as not to set off anything but the smoke alarm.

Long John Silver's

A beautiful Long John Silver’s meal

Long John Silver’s opened its first store in 1969, presumably in Louisville, Kentucky, where its corporate headquarters still are.  It’s America’s largest quick-service seafood chain, serving more than 45 million pounds of fish yearly.  I broke a molar at the Long John Silver’s near the intersection of New York   St. and Route 59 on the border between Naperville and Aurora, Illinois.  I was chomping on a french fry (or “chip”).  It was totally the tooth’s fault.  The chip was as scrumptious and as perfect as the deep-fried fish fillets.  Until 2015 Long John Silver’s maintained an unflagging commitment to using partially hydrogenated oils in its fryers, so if you ordered the Fish Combo Basket,  besides 1930 milligrams of salt, you got 42 grams of fat, 10.5 of them saturated, 12 of them trans-fatted.

By 1970 Long John Silvers could have had a restaurant in Berkeley, California, and Gail Hart could have gotten her fish and chips there, trans fat and all.  Besides the fish and chips, I also distinctly remember asking her what those small, round things were.  “Hush Puppies,” she answered.  Years later I would come to crave these as well.  Gail Hart’s hands were beautiful.  I remember watching her long, elegant fingers placing the last golden, crunchy hush puppy into her perfect mouth.  That’s when I started shouting, “Shut up!  Shut up!”

The move from hush puppies to anti-war radical was sudden.  We had blundered into war, and in many ways, in many places—big and very, very small—were beginning to blunder out of it.

____________________

This piece is a rough draft of part of an essay in one of Richard R. Guzman’s current projects, a book of short stories and essays on the theme of radicalism in the United States.  It first appeared in a humor magazine, The Kindling, which had on its cover the graphic of Guzman reproduced here.  The photo of protestors and National Guard is by Dick Corten.  The photo of the luscious Long John Silver’s meal comes from the LJS website.  Read another part of this project—one in a decidedly different tone: a piece tentatively titled “Welcome to the International Hotel.”

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Activism & Inwardness: An Appreciation of Carolyn Rodgers (1945-2010)

Remarks at her Memorial by Richard R. Guzman,
ETA Theater, Chicago, May 4, 2010.

____________________

Thank you for inviting me to take part in this memorial. It is one of my life’s great honors.  And thank you for letting me speak early so I can return to teach a class that meets this evening.

My name is Richard Guzman.  I’m a writer, and performer, and I teach at North Central College.  In a way, I realize that my view of Carolyn may be way off from the view many of you have, who have known her much longer; but I hope my view is valuable Carolyn Rodgersnonetheless.  I first met Carolyn Rodgers a dozen years ago when I was working on an anthology of Chicago writing called Smokestacks and Skyscrapers.  It was the first really comprehensive collection of Chicago writing, and I knew immediately that she belonged among the greats like Carl Sandburg, and Saul Bellow, and Nelson Algren, and Gwendolyn Brooks, and Lorraine Hansberry, and Haki Madhubuti.  That’s the company I thought she deserved to keep.  Then about a half-dozen years ago I worked on another Chicago anthology, Black Writing from Chicago: In the World Not of It?  Carolyn not only consented to be in this collection, she also favored me with a wonderful, gracious Foreword, in which she said: “This is an extraordinary book…a scholarly book of great importance, and a sheer delight to read as well.”  For this alone, how could I not be in her debt forever?

She always called me only by my last name, and some of my most vivid memories of her are when we would meet at an event or just randomly on the street.  She always saw me first and called out, “Guzman!  Guzman!  It’s me! How you doing?”

Yet despite her bold, outward-going greetings to me, what I always treasured about Carolyn, what always seemed to radiate to me from her, was a profound inwardness.  Yes, we can all appreciate that she helped found Third World Press, that she played a vital role in OBAC, celebrated black community, explored social crises and feminist themes.  I also love lines like these she wrote in her poem “Sheep,” where she celebrated people who,

“join with others to tear down the walls / with bare berlin hands, and east and west, / someone raises a tightly clenched fist / and cries, amande.  amande.  / and we can all breathe again.  / and we can get air.”

Yet I always felt this activism and outwardness was never her real métier.  This made me admire what she had done even more.  In my own way, I have also spent a lifetime in activist concerns, yet I felt in Carolyn what I have always felt in myself: the urge to get out of the action, to draw away to some quieter, more inward place.

Carolyn’s inwardness gave her a profound sense of her own limits.  In her poem “Jazz: Mood Indigo,” she wrote:

“i wish that i could have been a steel / grey boulder shoulder holding you up,  / and you, a slick fine highway going /  anywhere special…but you yourself are broken, you tell me, /  …and my fingers and my soul are blue, blue, / blue like berry stained.”

This sense of limits is invaluable for anyone trying to change the world, or even just trying to help one person along.

Carolyn RodgersIn his Pulitzer Prize-winning book Elbow Room, James Alan McPherson, who owes a lot of his literary success to the South Side, describes the face of one of his characters whose soul is definitely “blue like berry stained.”  His words always remind me of Carolyn Rodgers’ face.  McPherson says, “It is a free face, a fresh face.  In it I can see no servitude to the expressions of faces I have seen before.  Hers is a smile completely unaware of any predecessor.  It derives entirely from within itself.  Her mystery, I think, is an awareness of this liberation from the familiar.”  McPherson calls that inward place a person’s “secret self” and is obsessed with the importance of nourishing and protecting and deflecting attention away from it in order not to be co-opted by “normal” reality.  Carolyn Rodgers’ smile radiated from her “secret self,” from a place completely within, an inward space we need to understand as desperately today as ever.

As I mentioned, in a few moments I must rush back to teach a class.  It’s a graduate class called Leadership for Social Change.  This term my students are pursuing social change projects concerning such issues as literacy, free media, education, water conservation, ending human trafficking, respecting animals, preventing teen suicide, and homelessness.  I have tried to emphasize how important inner space is for anyone hoping to make outward social change.  In doing so I have read them several Carolyn Rodgers poems, including “Prodigal Objects.” [Follow link below to hear her read it.]  The poem ends:

“what matters is the feeling of finding / (there is a law of finding), / what matters is finding on lost days, / and I’m finding that somedays / what matters as much, is being found.”

Like most great poems, this one refers to many things at once.  These days I’m finding that Carolyn’s words refer to finding yourself deep within.  Her life and writing gave us clues and encouragements for finding a deep, inward place, a place especially important for those who would do battle with the outward world.  For only in a place so deeply inward can we guard our “secret self,” a sense of our personal essence, an essence which also keeps us connected to powers much higher than the world.  The world is therefore anxious to crush or steal away that essence, for doing so is the only sure way to defeat us.

A dozen years ago in something I wrote about Carolyn, I quoted words from her poem “how i got ovah II / It Is Deep II.”  I said she strove to, “understand the mysteries / of the mystical life, the ‘intellectual purity’ / of mystical light.”  I wrote that her later writing expressed “a sense that the outer, sometimes revolutionary concerns of her earlier poems must be joined to a deeper sense of how some of the things we used to flee”—like family, like religion, like quietness—“can become resources for an inner life, strong and resilient enough to meet the demands of an outer revolution we never suspected would take so long.”  In a world of intractability and often soul-crushing struggles, Carolyn’s words gave us not only reasons to continue, but clues on how not to lose yourself, so you could find yourself instead, every day, until you found yourself in a better world.

  There are several other pieces on or by Carolyn Rodgers on this site.  Go HERE for a post which lists them.

  Hear Carolyn Rodgers read “Prodigal Objects.”

  Go to a list of Black Writers on this site.

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Remembering Bryan E. Guzman

Below is the slide show Jun Corpuz put together for Remembering Bryan: Thoughts & Memories from Friends & Family, a book released in November 2011, just before the 5th anniversary of Bryan’s death. Read more about Bryan here.  Music: Hypnotist Collector–Bryan (bass), brother Daniel, drummer Justin Flannigan. The song, “But It Was,” doesn’t quite fit, but Bryan would have approved.  It’s one of the band’s toughest songs.


Full screen view, click the two arrows on lower right corner of video player.

View or Download Remembering Bryan booklet.

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