Buffaloes and Mountain Passes

This is only the second ever what-I-did-this-summer video I’ve made.  It’s late summer now, but the summer began with a nearly 4,000-mile road trip out West.  “In wilderness is the preservation of the world,” said Thoreau.  We saw lots of that—at least what was preserved in our National Parks, which, in his documentary series, Ken Burns called “America’s Best Idea.”  Rocky Mountain National Park, Grand Tetons National Park, Yellowstone and Badlands National Parks, with a National Memorial Park, Mount Rushmore, and a national oddity place, Wall Drug, thrown in.

The 5:30-minute Video below shows highlights of our trip, especially being engulfed by a buffalo herd in Yellowstone, and just missing a colossal landslide. That’s the “Mountain Pass” part of my title.  When we got home, we turned on the TV to catch up on the news, and just about the first thing we heard was that the Teton Pass had collapsed!  While in Wyoming’s Jackson Hole area and the Teton and Yellowstone parks just beyond, we stayed at a hotel in Driggs, Idaho, and crossed that mountain pass every day we were in the area.  On the Tuesday before we left, we took a float trip down the Snake River, and our guide was telling us how many of the workers like himself couldn’t afford to stay in Jackson Hole’s major city, Jackson, so stayed in places like Driggs and crossed the mountains every day.  We left Thursday morning.  On Friday they found a large crack in the Teton Pass roadway.  On Saturday the whole pass collapsed in a massive landslide.  That’s the way the Video below ends: with pictures AND videos of the collapse, the most amazing of which was on the Facebook page of Wyoming’s governor, Mark Gordon.

It was a near-miracle that they figured out a temporary detour right around the landslide and re-opened the pass just three weeks after the collapse.  For those three weeks, all those Jackson workers had to find alternate routes, the quickest of which added at least an hour to their commutes.  One of the NPR reporters covering the story said, “Opening the pass again was like reuniting a family. That’s how much people and businesses on the Idaho/Wyoming border mean to each other.”  So in essence the main highlight, or shock, of the trip happened after it was over, though my wife Linda is still thrilled by remembering how we were engulfed by that herd of Buffalo.  It was, for her, the “baby trip,” too.  Buffalo, horses, cows, elk—you saw all these with their newborns everywhere you looked.

 

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At the Japanese Summer Festival

On July 27, 2024, a group of 30 attended the Japanese Summer Festival at the Anderson Japanese Gardens in Rockford, IL.  This outing was sponsored by the Antiracism Taskforce of the Northern Illinois Conference (NIC) of the United Methodist Church, as part of their NIC Presents Series now in its third year and focused, this year, on Art and Culture from diverse traditions.  (See details and links below.)

The Video below shows a few moments from the festival and from a special luncheon the UMC group attended.  First up are the taiko drummers from the cultural program led by Tatsu Aoki.  Then comes Candy Man, a street performer.  Between hijinks which delighted the audiences, he makes intricate candy figures, here blind folded.  There’s a big brush painting demonstration, followed by the luncheon.  Ellie Jun made most of the delicious food the group enjoyed, and while eating they heard two presentations. Linda-Bonifas Guzman spoke about the profound influence Japanese culture and design had on America’s most famous architect, Frank Lloyd Wright.  The Laurent House, just a few miles from the Gardens, is a partner organization.  Designed by Wright in his Usonian style, it was built for a person with disabilities and owes much to Japanese culture. Then Donna Sagami spoke about Japanese culture in general and about her family’s story in particular: the hardships of immigrating to a new land and devising ways to make a living; the growing anti-Asian prejudice, culminating in the Internment Camps of World War II.  The orders to move to the camps came so quickly that Japanese families scrambled to settle their homes, businesses, and lands.  One set of relatives asked a white neighbor if he would buy their land but promise to sell it back if they returned.  Actually wanting to help, he said Yes.  Meanwhile, while their families struggled to survive the camps, many Japanese men joined the armed forces and fought and died for the USA.  “There’s a village in France that holds a memorial service every year for US soldiers who died liberating them. One of them was a relative of mine,” said Sagami.

The Video ends by returning to the festival for a dance from the Awa Odori troupe.

The Anderson Japanese Gardens is considered one of the finest Japanese Gardens in the world.  Designed by famed landscape architect Hoichi Kurisu, construction began in 1978, and, says the Anderson Japanese Gardens website, “From groundbreaking to today, the placement of every rock, alignment of every tree, and layout of all paths have been made with careful consideration by Mr. Kurisu.”

It’s a beautiful place for a festival—even though the throngs of people, the vendors, the sounds of drums and flutes and kotos, and all the hub bub of the day did take something away from some of the Japanese Garden experience: peace and space.  This NIC Presents event was led by Jenny Graham, member of the NIC presents committee, and a graphic designer whose work is amply represented in the committee’s programs and throughout the NIC website.  She’s a Rockford resident and has seen the garden in more peaceful times.

I’m not taking anything away from the wonderful festival.  But you never reveal something—like the wide display of important aspects of Japanese culture—without covering up something else. Central to the concept of Japanese culture and design is MA, a character you see at left.  (The composition of the character—moon lying below and in between the character for gate—evokes images of light traveling through the cracks of a doorway.)  It means “empty” or “negative” space.  It means the silence, the rest, a space in between things, like the soundless space between notes of music.  In creating absence, it brings possibility and meaning to what is present.  Perhaps it is like the Void out of which all creation came and where the spark of creativity resides, shining a light through the gate between presence and emptiness. When we really do take a breath and pause to feel the power of emptiness, we are in the space of MA.  We feel its peace, and a Japanese garden is so beautiful because of this peace.  It’s meticulously arranged to balance the presence of plants, water, stone, and colorful koi, with the emptiness, the MA, we usually crowd out of our busy lives.  The Anderson Japanese Gardens is a place to return to over and over to experience this balance.

♦   For more details on the NIC Presents Series go to:  Art and Culture Series (2024), Film Series (2023), Speakers Series (2022).  For the first event of the Film Series I did an introductory talk at the Illinois Holocaust Museum on racism and images of blacks in films. Watch this Here or on the Film Series link above.  For the final event of the Speakers Series I interviewed Chabon Kernell, executive director of the Native American Comprehensive Plan of the United Methodist Church.  Watch this live-streamed interview at the Speakers Series link above.

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Let’s Pretend

Below is a Video of a sermon whose title (“Let’s Pretend”) is taken from one of the chapters of C.S. Lewis’ book Mere Christianity.  The book is a compilation of radio shows Lewis did during World War II.  Some of his explanations of the basic things Christians believe don’t hold up in retrospect, but the book helped me a lot when I first joined the faith. The title of this chapter also fit in with the special Sunday this was, when the church’s Filipino members of the congregation conducted the whole service and the luncheon afterwards, complete with lechon, the roasted pig delicacy Filipinos are famous for, as well as me preaching the sermon.

“Let’s Pretend” struck me immediately as appropriate for this Sunday because it also fit in with one of the main qualities of Philippine culture: it’s musicality, especially it’s uncanny ability to do Western music better than most Western people can do it.  I’ve written about this before.  In “Filipinos in the Land of the Hyper-Real” I use Arjun Appadurai’s phrase “hyper-competent reproduction” to understand this, and I provide links to outstanding examples of Filipinos out-doing their Western counterparts, I believe.  There’s Arnel Pineda, the Filipino singer—once homeless and singing on the streets—who is now the lead singer of Journey.  There’s Charise doing Celine Dion doing “My Heart Will Go On and On.”  The video accompanying this article features Pops Fernandez and Martin Nivera doing “Beauty and the Beast.”  I also provide a link to what I believe was the late Anthony Bourdain’s best show, “Manila,” the first show of the seventh season of his Parts Unknown series.  Use these two links to get a fuller sense of the Filipino’s uncanny ability to imitate Western music…plus more.

There’s just a short step from “imitation” to “pretending,” the latter being I deeper word for what’s happening.  And there are at least two senses of the word “pretending,” one negative, one extraordinarily positive.  Negatively, to “pretend” is to act in ways that cover up the truth that you are not really generous, or patient, or caring.  You may in fact be the opposite of these things and are trying to fool people for your own advantage.  But “pretending” in the positive sense is when you act in a certain way in order to eventually become generous, or patient, or caring in the end.  It’s a kind of practice to become those positive things, and, in the Christian faith, we especially “pretend” to be like Jesus by imitating him.  I focused on one thing in particular, knowing there are many more things about Jesus we should emulate, practice at, or “pretend” to be in order to become more like him.  That one thing was peace.  Among the lectionary readings for the day was the 23rd Psalm, and at the beginning I played my take on the 23rd Psalm, one of my earliest compositions, “Lay Your Head Down.”  The 23rd Psalm may be the most peaceful passage in the entire Bible, and we could do worse than turning to it often to begin to become as peaceful as Jesus was, even when pressured from all sides.

But there’s a final twist to this “pretending.”  In his “Let’s Pretend” chapter, C.S. Lewis says this: ” In a sense you might say it is God who does the pretending. The Three-Personal God, so to speak, sees before Him in fact a self-centered, greedy, grumbling, rebellious human animal. But He says, ‘Let us pretend that this is not a mere creature, but our Son. It is like Christ in so far as it is a Man, for He became Man. Let us pretend that it is also like Him in Spirit. Let us treat him as if it were what in fact it is not. Let us preltend in order to make the pretence into a reality.'”  God pretending we could be like Christ is, for me, the very definition of what Grace is.  The reading from Ephesians, one of three scriptures used this Sunday, speaks of God changing us by showering us with Grace.

Besides the reading of the scriptures of the day, the Video below opens with an excerpt of a Filipino choir singing the popular devotional song “Ang Tanging Alay Ko” (My Only Offering).  Thanks to all my Filipino brothers and sisters for making this a truly beautiful service, and especially to Mila and Boyette Valdez who led us in putting it all together.

 Go HERE for a complete list of sermons, like “Pentecost Means No ‘Supremacies,’” “Sacred Doing,” and “Theology and Race.”

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