The Gateways Festival Orchestra: The Color of Concert Music
Emmanuel House Opens in Aurora
The new Emmanuel House headquarters.
♦ Watch a video of the grand opening.
This past Easter Sunday evening, Emmanuel House co-founder and board chair, Rick Guzman, and me, and my wife Linda were there from 6 p.m. to midnight painting offices that Emmanuel House’s executive director, Hayley Meksi, and her husband Lorent had spent hours priming earlier in the day. Would our rehabbing of 73 S. LaSalle St. in downtown Aurora be done in time for the May 2nd move-in date of World Relief, who were set to share our first headquarters with us? It didn’t seem so. Unpainted walls, still unconnected electricals, construction debris and equipment, dust and trash everywhere. It didn’t seem so when I returned for more work a few days later, and a few days after that it still didn’t seem so. But it did get done. And on May 22nd World Relief hosted a Grand Opening with ribbon cutting at 4:30 p.m.
It’s a milestone step for both organizations—and Aurora’s downtown. It’s another step in our family’s honoring of Bryan Emmanuel Guzman. World Relief helps settle refugees in the United States, and Emmanuel House helps break the cycle of working class poverty through home ownership and education.
On May 14th, the “Editor” of Aurora Downtown posted this article and picture on its www.auroradowntown.org website:
EMMANUEL HOUSE OPENS IN AURORA
Think of Emmanuel House as an expert snowball maker. Not only are they the neighborhood friend that you want to know on a cold day, but they have been working for over six years to collect individual snowflakes, or community partners, to create a non-stoppable force in Aurora.
Rick Guzman, who founded the Aurora organization with his wife, Desiree, says what Emmanuel House really does is partner with a host of other non-profit organizations to accomplish their mission.
Guzman said that the non-profit organization takes on more of a mentoring role in providing tools to local families. They help families become homeowners, but they also empower people and create opportunities.
Through a tested and proven model of assisting families with saving rent, those families can then purchase their own home and start building equity after as little as 18 to 24 months. Check out the model and see how it works HERE.
Emmanuel House, named after Guzman’s deceased brother, leverages community resources and what Guzman calls “latent potential” to help break the cycle of poverty one family at a time.
“When someone reaches their full potential, then we all benefit,” said Guzman, who also works for the City of Aurora.
Emmanuel House currently operates 17 apartments in Aurora where families reside while they are enrolled in the savings program.
“The impact is far reaching,” said Hayley Meksi, director of Emmanuel House. She added that home ownership helps the entire community in many ways.
“If you give people the tools, they will make a bigger impact in the community, Guzman said. “Our mission is to empower people to make investments in themselves.”
Emmanuel House purchased their building at 73 S. LaSalle St. in 2012. After a major renovation, they are now moved into part of the second story and share offices with World Relief, who occupies the ground floor of the building.
World Relief helps to resettle refugees and was formerly located at 14 W. Downer Pl. in downtown Aurora.
Emmanuel House and World Relief are celebrating with an open house on Thursday, May 22 from 4:30 to 7:30 p.m.
Post-Colonial Literatures in English: A Writers List
> Go HERE for a list of prominent post-colonial writers who wrote their works originally in English, and to the links at the end of this post for “World Writers” written about on this site.
After doing two anthologies in seven years—Smokestacks & Skyscrapers (in 1999 with David Starkey) and Black Writing from Chicago (2006)—I swore I’d never do another. The choices you have to make are maddening, the permissions process arduous at best. Yet there’s no denying the incredible value of a good anthology, a fact that brought Smokestacks and Black Writing lots of praise.
Then after a recent search for a good world writers anthology, I realized there weren’t any—at least not a reasonably priced, relatively compact, comprehensive one, especially one that gathers together post-colonial literature written originally in English. That literature is enormous and important. Today India, for example, produces more “English” literature than the United States. There are plenty of critical studies, like the seminal The Empire Writes Back—you have to love the title!—but these don’t give you the literature itself. Big publishers like Norton, Longman, and Bedford produce multi-volume world literature sets, beautifully boxed, but big almost beyond usability. At the other end, Chimamanda Ngozi Adichie and Jhumpa Lahiri’s One World: A Global Anthology of Short Stories presents just 24 contemporary stories. Nothing, however, does what the Arnold Anthology of Post-Colonial Literature in English, now out of print, did. It’s big, too (900 plus pages), but balances its breadth—four continents plus areas like the South Pacific and the Caribbean—with a fairly deep selection from each region.
I have quibbles about this depth. I think there’s entirely too much from Australia and Canada, for example, and not nearly enough from the Philippines; but being Filipino, I must admit my bias.
The link I give at the beginning of this post will take you to a pdf of writers in The Arnold Anthology of Post-Colonial Literature in English edited by John Thieme. Startling omissions abound, of course. Those marked with a star (*) are not in the anthology, but I’ve added a few to give a greater sense of the depth of writing from a country—my homeland, the Philippines, for example. Continuing my complaint from above, I note that the Islands were represented only by Nick Joaquin, one of our greatest writers, but hardly the only one worth mentioning. The same goes for most countries and regions. If we add post-colonial writers who wrote in their own languages—writers we know mostly by translation—then the number of those left out burgeons. Two Nobel Laureates, Mahfouz Naguib (Egypt) and Rabindranath Tagore (India), come immediately to mind. I’ll put these two in as reminders of the giant treasure house of writing not in the purview of the Arnold Anthology and mark them with a double star (**).
Send me your suggestions for more inclusions.
♦ Read major essays on this site about two of the most important post-colonial writers of English: Raja Rao from India, and NVM Gonzales from the Philippines.
♦ Go to a post about other World Writers written about on this site.