John Jones Crusades Against “Black Laws”

John JonesBorn in Greene County, North Carolina, around 1816, John Jones moved to Chicago in 1845 and established a tailor shop which had many wealthy, white Chicago customers.  By the 1870’s it made him perhaps the wealthiest black in the Midwest.  But Jones is best known as the author of the pamphlet The Black Laws of Illinois, portions of which I presented in my book Black Writing from Chicago.  The pamphlet was only part of his tireless crusade against laws which, among other things, prohibited blacks from testifying in courts and purchasing property.  Jones became the first black to hold elected office in the state when, in 1872, he was elected to a three-year term on the Cook County Board of Commissioners.  In a 1905 letter to the Illinois Historical Society concerning the 1875 celebration of Jones’ 30 years in Chicago, his daughter Mrs. L.J. Lee says that, “The whole life of Mr. Jones has been spent in devotion to the welfare of his race….”  For example, he was “instrumental in sending hundreds of fugitives to Canada on the day after the signing of the Fugitive Slave law…,” but he regarded “none of his labors…with more satisfaction than his warfare upon the Black Laws of this State….”  Jones died on May 27, 1879, and is buried in Graceland Cemetery, Chicago’s most famous resting place.

Mary JonesMention should also be made of his wife, Mary Jones.  In 1955 their granddaughter, Theodora Lee Purnell, wrote to the Illinois Historical Society, Chicago, noting that the Society has an oil painting of her grandfather. “I have,” she writes, “ the mate of this portrait, an oil painting of Mary Jones…which was painted at the same sitting…They belong together.”  She continues:

“My Grand-mother, Mary Jones was at his side in his every endeavor and accomplishment as a citizen of the United States, the State of Illinois and Chicago in particular….

“In her own field she made Chicago history.

“She was mistress of the home where Nathan Freer, John Brown, Frederick Douglass and Allen Pinckerton visited.  She harbored and fed the fugitive slaves that these men brought to her door…In fact she stood at my Grand-father’s side…when their early Chicago home became one of the Underground Railway Stations….

“She was a pioneer in the…Suffrage Movement and was hostess to Susan B. Anthony, Carrie Chatman Catt, Emma Chandler and Mrs. John Brown.

“In later years after her husband’s death, she contributed generously to the now famous Hull House Social Service Center, Phylis Wheatley Home for Unfortunate Girls, to Provident Hospital….”

Mrs. Purnell was then 84 years old and seeking assurance that history would be remembered more fully. In the excerpts from The Black Laws I included in Black Writing from Chicago, I sought most to convey John Jones’ argument for reading history more fully—black and white entwined—as if black history is American history itself.

The Black Laws was a 16-page pamphlet published by the Tribune book company in 1864.  I included several important passages of Jones’ text, tying them together with my summaries of omitted parts.  The pamphlet’s rhetoric presents humble appeals to the people of Illinois, but draws near its end more forcefully:  “God being our helper, we plan to remain on American soil with you.  When you are in peace and prosperity, we rejoice; and when you are in trouble and adversity, we are sad.  And this notwithstanding, proscription follows us in the school-house , and, indeed, drives us out; follows us to church, in the lecture room, in the concert-hall, the theatre…follows us to the grave;—for I assure you, fellow citizens, that today a colored man cannot buy a burying lot in the city of Chicago for his own use.”

Then I presented some sections of a speech Jones delivered in 1872.  Also published as a pamphlet, it consisted of much of the same material and, in many ways, represents a more rousing expression of the heart of the original pamphlet, most of which was a section by section rebuttal of the Black Laws.  In the “speech pamphlet” Jones extends his plea to read history more fully into a call to vote the right people into office.  In those days—in what sounds so ironic to us today—that meant, to Jones, the Republican Party.  “My colored countrymen,” Jones intones near the end of his speech, “the Republican Party has lifted us up from the degradation of slavery and put us upon an equal footing with themselves…and to that party we, in my judgment, ought to cast our first vote, and God being my helper I mean to vote for its candidates in November.”

Today there are few formal “Black Laws,” but an informal structure of “Black Laws” is still strongly in force in most places in the United States.

 Go to a list of Black Writers on this site, and the Black Writing from Chicago page, where you can also BUY the book.

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J.W.M. (Colored)

No pictures exist of Mary E. Mann or "J.W.M. (Colored)," the person who wrote on her behalf.

No pictures exist of Mary E. Mann or “J.W.M. (Colored),” the person who wrote on her behalf.

I wanted desperately to start my book Black Writing from Chicago: In the World, Not of It? with something from John Baptiste Pointe Du Sable, the black man famed for being Chicago’s founder—that is, the first, permanent, non-Native American settler.  I remember saying to librarians at Chicago’s wonderful Newberry Library that I would take anything: a scrap of the tiniest note, even a bill of sale.  I could find nothing, not entirely surprising since Du Sable’s birth year, birth place, and parents are unknown.  Was he French-Canadian? Was he born in Hispaniola or Haiti?

Then wandering through a book on education in Chicago, I ran across the name Mary E. Mann, and in a footnote to that name I found mention of a letter written to, and published in, the Chicago Tribune in 1861.  Searching through microfiche at the Harold Washington Library I made one of the best finds of the book (or of my entire research career!).  The letter was signed “J.W.M. (Colored)”—the parenthesis, in those days, being required to accompany the name of anyone who wasn’t white.  And the letter is a tiny masterpiece.  It is a far better beginning to Black Writing from Chicago than, say, a Du Sable bill of sale, no matter how historic that might have been.

Even less is known about the actual identity of J.W.M. (Colored), though it might be reasonable to suppose that the “M” suggests a relationship to Mary E. Mann.  The letter manages to range widely, using many of the major themes of black advocacy writing of the time, including the nobleness of the Africa and pride in the fact that the first person to die in America’s Revolutionary War was Crispus Attucks, a Black man.  The piece also ends with startling thoughts concerning miscegenation.  “I too,” writes J.W.M. (Colored), “am opposed to mingling the races.  Who are the abettors and controllers of amalgamation if not the slaveholders and the Northern bloodhounds?  Is it the African?  Ah, no.  Those gentlemen who preach so loudly against it, may be designated as its daily foes and its nightly abettors!”

The letter’s most immediate purpose, however, was to argue for Mary E. Mann’s admission to a Chicago high school.  Mann had graduated from Dearborn elementary school with the necessary marks but was originally denied admission because she was “of Negro birth.”  The controversy divided the Chicago school board, though Mann was eventually admitted, becoming the first black to attend an Illinois high school.  She graduated tenth in the Normal program which prepared girls for teaching in the city’s school but was not allowed to sit with her classmates on stage or march forward to receive her diploma.  She was appointed to a colored school that had opened June 15, 1863, and though the school was constantly troubled and closed after only 22 months, Mann’s pioneer status remains.

  Go a list of Black Writers on this site.

  Go to the Black Writing from Chicago main page, or the Teaching Diversity main page.

 Read my essay “Miscegenation and Me.”

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Ken Green’s One Man Parade

Ken Green

Ken Green

Ken Green (b. 1964) used to be a graphic artist for the Department of Children and Family Services in Chicago, and was perhaps the funniest slam poet on the Chicago scene, until…(see below). Though he was not the youngest writer in my book Black Writing from Chicago, I ended it with him because few could follow him, especially on stage.  “I have,” Green says, “written serious stuff that I am saving for a special occasion, like my anticipated posthumous best-seller.” A member of three National Poetry Slam teams (for the Green Mill in 1999 and 2003, and Wicker Park in 2002), he has performed at many venues around the Chicago area and, he says, has “even been permitted to transport…poetry across state lines.”  In 2002 he placed second in the Austin International Poetry Festival.  Though humor is the hallmark of his writing and performing, audiences also know the seriousness of Green’s commentary, whether his subject is heavy—the gunning down of Amadu Diallo by New York police, for example—or lighter, like “cure-all pills with side effects…worse than the original ailment.”  He has published a chapbook entitled Ken Green’s Good Poems, which does little to dispel the rumor that he does, indeed, own Kiss albums, as he admits in the poem “One Man Parade,” about a parade populated by all the Chicago black men he knows named Ken Green: exactly one.  “Look, here come the African American men named Ken Green who are reluctant to admit they own more than four Kiss albums…”

“Of course, there were those among the throng
who opposed my lifestyle,
whose very looks hissed
and saw my presence
as undermining the thinning moral fabric of society.

“We don’t want Ken Green in our schools
teaching our children”

“Ken Green should not be allowed to adopt
under any circumstances”

“The Bible clearly states that Ken Green
is an abomination in the eyes of the Lord.”

 
What blacks are or aren’t supposed to do—like own Kiss albums—is often the subject of his poems, but the poem “Debate” is about what nobody is supposed to do:

 
“When debating the existence of God
with a grizzly bear,
whatever you do
do NOT mention Nietzsche.”

He goes on to offer advice on debating other animals—alligators, lowland gorillas:

“When discussing the effects of industry on world politics
with a Florida alligator,
try not to mention the connection
between Henry Ford
and the development of the German auto industry.
Instead slowly slip your hand under his lower jaw
and yank upward sharply while shouting
‘The workers control the means of production!’
‘The workers control the means of production!'”

But by far the most dangerous exchanges are with humans:  “When discussing anything with a human being,” Green counsels, “keep your arms inside the vehicle at all times.”

When I had him read for me at the Congress Hotel during an international conference I was directing, he said, “Hey, what am I doing in a room like this?  I usually read down the street at Weeds.”  My wife and I have never been to Weeds, but Ken Green may be her favorite poet. When I finally said Yes to doing Black Writing from Chicago, her first questions was, “So how many Ken Green poems are you going to use?”  Two.  I had room enough for just “Debate” and “One Man Parade.”  I regret that as much as I regret any of the many other pieces, Green’s or otherwise, I didn’t have room for.

Ken GreenI used to wish I had an actual picture of Ken Green to go along with this post.  We’ve met several times and even shared a stage, but the generic blank picture form—whose outlines don’t resemble Ken’s in the slightest—seemed somehow appropriate, and I used it at the beginning of this post even though now I actually do have a picture.  It’s at left with the ugly details below.

Ken Green has deserted Chicago.  He’s become a cultural star in…Boston, and the picture shows him outside some Boston building, I guess.  Various Boston websites say things like, “Ken Green brought Story Club to Boston in 2013…Ken started off in the poetry slam scene, becoming a member of four Chicago teams to compete in the National Poetry Slam,” one more than I reported above when I first wrote this intro.  Ken Green, they say, “Turned his attention to fiction and essays writing several years ago, as well as playwriting.”  (Indeed, in 2006 he placed third in the Goodman Theater’s David Mamet Write-Alike Contest with a somewhat profane, Mametized version of The Wizard of Oz.)  They say, “He is a lifelong Chicago White Sox fan who finds his baseball patience being tested living in Boston.”  What?  Nobody out-patiences Chicago fans.

Dana Norris founded Story Club in Chicago in 2009, wanting to mix the spontaneity of an open mic with the experience of live theater.  It has drawn performers as various as history professors, New York Times bestselling authors, members of an all-girl Beastie Boys cover band—and now Ken Green, who will always be Chicago’s own, no matter what the White Sox do.

♦  Go to a list of Black Writers on this site, and the Black Writing from Chicago page, where you can also BUY the book.

♦  Go to the Teaching Diversity main page, or the Poetry main page.

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