Genesis and Jazz: A Portico Collective Interveiw

It’s the church online.  HERE you can link to the first of a three-part interview I did with Rev. Matthew Johnson on creativity.  Eventually, when the links to parts two and three go live (see below) and the whole interview resides on Sound Cloud, the whole arc of our conversation will become clearer.  It starts with a general discussion on creativity (Part 1 at the link above), then moves on to creativity in jazz and other fields, and finally creativity and God…

Logo for the Portico Collective

 

 

 

…which brings us back to the church online.  Click on the logo just above and you’ll be taken to the website of Portico Collective, an online community of faith, led by Matthew Johnson and Britt Cox.

In the interview above Matthew Johnson refers to me as a “renowned” author—a hyperbole if there ever was one!—and also to my college, North Central College, as the world headquarters of the Portico, not too much of an exaggeration, though it is a little one.  For Portico Collective is a window, a portal, to everywhere.  This community of faith has “Physical Gatherings” occasionally, but “Virtual Gatherings” all the time, at least every time you’re online.  “Face to face meetings are one kind of reality,” says Johnson, “but meeting online is another kind, one that’s becoming more important every day.”

“In the winter of 2007, Bill Obalil asked a question that served as the inception for Portico Collective,” says the About page of the Portico website.  The question: “How do we engage in meaningful conversations with people who will never step foot inside a church building?”

“Church buildings are intimidating places,” the About page continues. “The older ones are fortresses. The newer ones are caverns. Those that have done additions are mazes. For many we speak with, the architecture, smells, light, and shadows evoke painful memories of belittlement, abuse, and emotional violence. Buildings that were constructed to help people step into the realm of the holy are now impediments. For many, they are masks that conceal the image of God….The age of the sanctuary is dead. Christianity as the religion of the empire has passed.”

“…there is no place—or medium—where God is not. That means God is present in the digital realm, too. Relationships that exist online are real because the Spirit lives in them. They are meaningful and intimate because Christ is present in them.”

The Portico Collective may be centered somewhat at North Central College, and Chicagoland in general, but its regular contributors come from Nashville, Winston-Salem, Savannah, and beyond.  And everyone who participates by leading, contributing, or just logging on to listen, read, or respond inhabits that virtually infinite online world, a world also inhabited by the saving, creative presence of Christ.

Hear Part 2 and Part 3 of my interview on creativity with Matthew Johnson.

Go to Voices and Freedoms, my book on the history of jazz.  This post will also link you to the jazz radio series based on this book.

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Carlos Cumpian: Everyday Apocalypses

Smokestacks2aBelow listen to Carlos Cumpian read “When Jesus Walked,” one of two Cumpian poems I included in Smokestacks and Skyscrapers: An Anthology of Chicago Writing.

One of the country’s finest Hispanic-Latino-American poets (a designation clumsy but inaccurate and made up anyway), Cumpian (b. 1953) has published three books of poetry: Coyote Sun (1990), Latino Rainbow (1994, a children’s collection on U.S. Latino heroes), and Armadillo Charm (1996).   He has also been represented in numerous journals and anthologies.  An active promoter of poetry, he founded the La Palabra reading series at Radolph Street Gallery, serves as editor-in-chief of MARCH/Abrazo Press, and conducts poetry workshops with the Guild Complex.  He teaches in Chicago public schools and at Columbia College and has been awarded Community Arts Assistance Grants from the City of Chicago’s Department of Cultural Affairs.

Cumpian 2His poetry combines the lyricism of Latino-American culture with street toughness and a weirdly casual, yet near-apocalyptic vision concerning issues of humanity and justice.  In “Soon It’s Robots,” another poem I included in Smokestacks and Skyscrapers, the “apocalypse” is fiscal: it’s being laid off, “hopes downsized, and for our loyalty shown/the bottom line, and soon it’s robots and our exit time,/to look for that phosphorus head of luminous/full-time commitment, amid crushed butts/and ashes at our feet.”

In “When Jesus Walked,” below, Cumpian substitutes “walked” in the familiarCumpian 3 gospel phrase “When Jesus washed my sins away.”  He’s also taking pains away, not sins.  You could almost think it a mistake until you realize Cumpian’s meaning.  It’s Jesus walking with us through the everyday apocalypses of “crushed butts/and ashes at our feet” that keeps us free.  Otherwise…well, that’s the poem’s subject.  Listen.

After listening below:
 Go to Smokestacks and Skyscrapers (where you can also BUY the book)
 Go to a list of Chicago Writers on this site.

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Smokestacks and Skyscrapers: An Anthology of Chicago Writing

Smokestacks and SkyscrapersSmokestacks and Skyscrapers: An Anthology of Chicago Writing, edited by David Starkey and Richard Guzman, is the most comprehensive collection of Chicago writing ever made.  Starting with the early explorer Father Marquette and the Potowatami Chief Metea and ending with the blazing, late 20th century poetry of Campbell McGrath, the book contains 114 pieces from 71 authors.

It has received much praise and was a 1997 Chicago Tribune Editor’s Pick book.  You can read some of of that critical praise Here.  You can go to my book Black Writing from Chicago for more Chicago writing.

A limited number of copies Smokestacks and Skyscrapers will be available at this site, and a BUY button will appear below when all arrangements for buying and shipping have been worked out.

David Starkey and I sought not only to present the usual suspects—Gwendolyn Brooks, Saul Bellow, James T. Farrell, Theodore Dreiser, Lorraine Hansberry, Carl Sandburg, Richard Wright, etc.—but also to represent the city’s history, its ethnic diversity, its neighborhoods, even its iconic weather and places.  So Albert Halper writes about popcorn and sizzling heat along the Lake front, Neil Tesser about Sox Park, not in summer, but in its winter hibernation, and Daniel Pinkwater about the gastronomic delights and dangers of an iconic greasy spoon dive.  It’s music, too, as Sterling Plumpp celebrates Koko Taylor, and movies with Roger Ebert, and architecture with Frank Lloyd Wright.

 Go Here to see a complete list of authors included, and to access the book’s Introduction and Afterword, as well as expanded versions of the critical and biographical sketches introducing each author.

 

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