Eating Flesh, Drinking Blood

Below is a Video of a sermon I preached with a much less sensational title than this article.  It begins with Shahila Christian reading one of the most stunning passages in the Bible—John 6:53-69.  Here Jesus says not once, not twice, but three times that you have no life in you unless you eat his flesh and drink his blood.  “This is a hard teaching,” say many of his followers, and from that time onward many turn away.  The passage ends with another stunning phrase: Peter’s answer to Jesus’ question, Will you also go away?  “Lord, to whom shall we go?” he says. “You have the words of eternal life.”

Early in Christianity’s rise this passage was used to accuse Christians of promoting cannibalism! More important, it set off a debate about whether Jesus was being literal or “merely” symbolic, and this later led to one of the great divides between Catholics and Protestants—the former believing Jesus was being literal, the latter leaning towards the symbolic.  I give a short history of Protestant versions of what happens during Holy Communion, versions which seek to overturn the Catholic doctrine of Transubstantiation, which holds—in its strictest version (there are several)—that during Communion the elements of bread and wine actually turn into the body and blood of Christ.  Martin Luther (1483-1546), Huldrych Zwingli (1484-1531), and John Calvin (1509-1564) all had influential ideas of what happens symbolically.  I should have mentioned that I believe, as other scholars do, that all these doctrines finally were trying to counter the gnostic idea that Jesus didn’t have a real body, but only an apparently real one.  Yes he did—that’s what all these versions of what happens during Communion are really saying.

The core of my sermon goes in a different direction.  The title of it was “The Power of Story and Symbol.”  It starts from the idea that saying something is “merely” or “only” symbolic doesn’t make something less real.  Symbols and stories are often more real, and usually more powerful, than the facts of any case.  We usually don’t see facts directly.  We see them through symbols and stories. And we spend lots of time trying to adjust the relationships we see between stories, symbols, and facts.  We ask, especially, am I reacting with proper intensity, vitality, or motive to this story or this symbol and the facts they are relating to.

To illustrate this I use two pieces of writing I often used in my teaching of writing and literature. The first is Robert Frost’s famous poem “The Road Not Taken,” probably the most misinterpreted poem of all time.  A traveler comes to a fork in the road and wonders which road to take.  The operative line comes in the last stanza: “I shall be telling this with a sigh / Somewhere ages and ages hence.”  He tells himself he has taken the road less traveled. That’s his story, but the poet is at pains to make sure—if we’re reading the poem with any close attention at all—that, in fact, the two roads were pretty much the same.  One was not less traveled than the other.

The other piece of writing I used was the short essay “Germs” from Lewis Thomas’ book Lives of a Cell: Notes of a Biology Watcher.  Turns out that reacting to symbols properly isn’t just a problem at the human level but at the cellular level, too.  Much of the time when we get sick, it’s because our bodies simply over react to the presence of “germs” that aren’t particularly toxic.  To our immune systems, however, they symbolize something really dangerous and all sorts of defenses get turned on that destroy things that don’t need destroying. That process makes us sick.

My challenge to the congregation was to examine our reaction to the symbols of Holy Communion. Because we Protestants treat them as symbols we tend to under react to them. But we don’t have to believe in Transubstantiation to react to them with the intensity and vitality they deserve.  We need to understand how really powerful stories and symbols are. We need to let their power energize and change us because they can bring a distant, powerful event into our lives with the shock of something that happened just yesterday, or is happening right now, this minute.

 Go HERE for a complete list of sermons, like “Pentecost Means No ‘Supremacies,’” “Sacred Doing,” and “Theology and Race.”

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Buffaloes and Mountain Passes

This is only the second ever what-I-did-this-summer video I’ve made.  It’s late summer now, but the summer began with a nearly 4,000-mile road trip out West.  “In wilderness is the preservation of the world,” said Thoreau.  We saw lots of that—at least what was preserved in our National Parks, which, in his documentary series, Ken Burns called “America’s Best Idea.”  Rocky Mountain National Park, Grand Tetons National Park, Yellowstone and Badlands National Parks, with a National Memorial Park, Mount Rushmore, and a national oddity place, Wall Drug, thrown in.

The 5:30-minute Video below shows highlights of our trip, especially being engulfed by a buffalo herd in Yellowstone, and just missing a colossal landslide. That’s the “Mountain Pass” part of my title.  When we got home, we turned on the TV to catch up on the news, and just about the first thing we heard was that the Teton Pass had collapsed!  While in Wyoming’s Jackson Hole area and the Teton and Yellowstone parks just beyond, we stayed at a hotel in Driggs, Idaho, and crossed that mountain pass every day we were in the area.  On the Tuesday before we left, we took a float trip down the Snake River, and our guide was telling us how many of the workers like himself couldn’t afford to stay in Jackson Hole’s major city, Jackson, so stayed in places like Driggs and crossed the mountains every day.  We left Thursday morning.  On Friday they found a large crack in the Teton Pass roadway.  On Saturday the whole pass collapsed in a massive landslide.  That’s the way the Video below ends: with pictures AND videos of the collapse, the most amazing of which was on the Facebook page of Wyoming’s governor, Mark Gordon.

It was a near-miracle that they figured out a temporary detour right around the landslide and re-opened the pass just three weeks after the collapse.  For those three weeks, all those Jackson workers had to find alternate routes, the quickest of which added at least an hour to their commutes.  One of the NPR reporters covering the story said, “Opening the pass again was like reuniting a family. That’s how much people and businesses on the Idaho/Wyoming border mean to each other.”  So in essence the main highlight, or shock, of the trip happened after it was over, though my wife Linda is still thrilled by remembering how we were engulfed by that herd of Buffalo.  It was, for her, the “baby trip,” too.  Buffalo, horses, cows, elk—you saw all these with their newborns everywhere you looked.

 

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At the Japanese Summer Festival

On July 27, 2024, a group of 30 attended the Japanese Summer Festival at the Anderson Japanese Gardens in Rockford, IL.  This outing was sponsored by the Antiracism Taskforce of the Northern Illinois Conference (NIC) of the United Methodist Church, as part of their NIC Presents Series now in its third year and focused, this year, on Art and Culture from diverse traditions.  (See details and links below.)

The Video below shows a few moments from the festival and from a special luncheon the UMC group attended.  First up are the taiko drummers from the cultural program led by Tatsu Aoki.  Then comes Candy Man, a street performer.  Between hijinks which delighted the audiences, he makes intricate candy figures, here blind folded.  There’s a big brush painting demonstration, followed by the luncheon.  Ellie Jun made most of the delicious food the group enjoyed, and while eating they heard two presentations. Linda-Bonifas Guzman spoke about the profound influence Japanese culture and design had on America’s most famous architect, Frank Lloyd Wright.  The Laurent House, just a few miles from the Gardens, is a partner organization.  Designed by Wright in his Usonian style, it was built for a person with disabilities and owes much to Japanese culture. Then Donna Sagami spoke about Japanese culture in general and about her family’s story in particular: the hardships of immigrating to a new land and devising ways to make a living; the growing anti-Asian prejudice, culminating in the Internment Camps of World War II.  The orders to move to the camps came so quickly that Japanese families scrambled to settle their homes, businesses, and lands.  One set of relatives asked a white neighbor if he would buy their land but promise to sell it back if they returned.  Actually wanting to help, he said Yes.  Meanwhile, while their families struggled to survive the camps, many Japanese men joined the armed forces and fought and died for the USA.  “There’s a village in France that holds a memorial service every year for US soldiers who died liberating them. One of them was a relative of mine,” said Sagami.

The Video ends by returning to the festival for a dance from the Awa Odori troupe.

The Anderson Japanese Gardens is considered one of the finest Japanese Gardens in the world.  Designed by famed landscape architect Hoichi Kurisu, construction began in 1978, and, says the Anderson Japanese Gardens website, “From groundbreaking to today, the placement of every rock, alignment of every tree, and layout of all paths have been made with careful consideration by Mr. Kurisu.”

It’s a beautiful place for a festival—even though the throngs of people, the vendors, the sounds of drums and flutes and kotos, and all the hub bub of the day did take something away from some of the Japanese Garden experience: peace and space.  This NIC Presents event was led by Jenny Graham, member of the NIC presents committee, and a graphic designer whose work is amply represented in the committee’s programs and throughout the NIC website.  She’s a Rockford resident and has seen the garden in more peaceful times.

I’m not taking anything away from the wonderful festival.  But you never reveal something—like the wide display of important aspects of Japanese culture—without covering up something else. Central to the concept of Japanese culture and design is MA, a character you see at left.  (The composition of the character—moon lying below and in between the character for gate—evokes images of light traveling through the cracks of a doorway.)  It means “empty” or “negative” space.  It means the silence, the rest, a space in between things, like the soundless space between notes of music.  In creating absence, it brings possibility and meaning to what is present.  Perhaps it is like the Void out of which all creation came and where the spark of creativity resides, shining a light through the gate between presence and emptiness. When we really do take a breath and pause to feel the power of emptiness, we are in the space of MA.  We feel its peace, and a Japanese garden is so beautiful because of this peace.  It’s meticulously arranged to balance the presence of plants, water, stone, and colorful koi, with the emptiness, the MA, we usually crowd out of our busy lives.  The Anderson Japanese Gardens is a place to return to over and over to experience this balance.

♦   For more details on the NIC Presents Series go to:  Art and Culture Series (2024), Film Series (2023), Speakers Series (2022).  For the first event of the Film Series I did an introductory talk at the Illinois Holocaust Museum on racism and images of blacks in films. Watch this Here or on the Film Series link above.  For the final event of the Speakers Series I interviewed Chabon Kernell, executive director of the Native American Comprehensive Plan of the United Methodist Church.  Watch this live-streamed interview at the Speakers Series link above.

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