Finley Peter Dunne: “Is th’ race dyin’ out?”

Finley Peter Dunne (1867-1936)

Finley Peter Dunne was born on the West Side of Chicago in 1867 and graduated at the bottom of his high school class. That’s a funny and appropriate fact given the shape of his career.  At 17 he began working as a reporter for the Chicago Herald, and between 1893 and 1905 wrote over 700 columns featuring one Mr. Dooley.  As Richard Sloane writes in the University of Pennsylvania Law Review, “Dunne is a blue-collar Oscar Wilde—bright but blunt. Where Wilde’s epigrams are delivered with a rapier, Dunne is most at home when he wields a sledgehammer. He expresses his views of the world, particularly the legal world, through a breezy saloon-styled genius, Mr. Dooley, who is his fictional counterpart. Martin Dooley, an ignorant, immigrant Irish bartender, ‘with all his horse sense, his native wisdom, his cracker-box philosophy, his attacks on sham and hypocrisy,’ makes his first appearance in a piece written by Dunne for the Chicago Evening Post in 1893. Mr. Dooley’s language is an Irish patois of Dunne’s invention spiced with barroom expletives and racist [and ethnic] pejoratives.”

Though some columns seem dated today, and Mr. Dooley’s brogue can sometimes be impenetrable, in the early 20th century Dunne was considered one of the most famous columnists in the country.  Then again, many of his columns and Mr. Dooley’s pronouncements seem super relevant today, even taking on the patina of timelessness.  A recent (May 6, 2021) BBC News headline, for example, says, “U.S. birthrate falls 4% to its lowest point ever.”  In our book Smokestacks and Skyscrapers: An Anthology of Chicago Writing, David Starkey and I included a column titled “The American Family.” It begins, “’Is th’ race dyin out?’ asked Mr. Dooley…’Th’ ministhers an me frind Dock Eliot iv Harvard say it is.’”  But he’d know different, continues Mr. Dooley, if he was a real doc and just went flying down Halstead St. flogging a white horse to get somewhere on time. So the column begins with another theme current in 2022: out of touch elites, represented here by a Harvard president Charles William Eliot.  It ends with real life facts elites wouldn’t know because they’re just interested in how many children Harvard grads are having—which, in this case, isn’t many.  Mr. Dooley has been speaking with one of the bar’s regulars, Mr. Hennessy, who, on the other hand, has 14 children.  The column ends: “’If th’ race iv Hinnissys dies out,’ said Mr. Dooley, ‘twill be fr’m overcrowdin.’’”

Or take this Mr. Dooley-ism: “I’m not so much throubled about th’ n- – – -r* whin he lives among his opprissors as I am whin he falls into th’ hands iv his liberators.” Given Mr. Dooley’s racial and ethnic pejoratives, virtually all commonly and casually accepted back then by white society, this could mean that the “liberators” turned people of color into uppity persons who no longer knew their place, who actually thought they deserved equality.  But I’ve written a lot about The “Wokeness” Problem recently, and I hear another possible undertone to the statement.  It could also suggest that those who are woke, liberal, progressive, and supposed allies harbor, beneath their advocacy, a continuing sense of white supremacy and a view of Blacks and other people of color as hapless victims. I wouldn’t put it past Mr. Dooley/Finley Peter Dunne to have addressed this issue, which you can read more about at the “wokeness” link above.

The Mr. Dooley quotables are many, and they might be clearer when read in context. I’m still searching for the piece where the liberators vs. “opprissors” quote comes from, so I’d appreciate any help out there.  There were at least ten Mr. Dooley collections, beginning with Mr. Dooley in Peace and War (1898) and ending with the posthumously published Mr. Dooley at His Best (1936).  “The American Family” we spoke of above comes from Dissertations by Mr. Dooley (1906).  A few more of his famous sayings: “Alcohol is necessary for a man so that he can have a good opinion of himself, undisturbed by the facts.” “The job of a newspaper is to comfort the afflicted and afflict the comfortable.” “Trust everyone, but always cut the cards.” “A man never becomes an orator if he has anything to say.”  “One of the strangest things about life is that the poor, who need the money the most, are the ones that never have it.” “No matter whether the Constitution follows the flag or not, the Supreme Court follows the election returns.” Etc. Etc.

Dunne’s popularity waned after World War I.  He moved to New York in 1900 when he was  becoming nationally renowed, but died there, nearly forgotten, in 1936.

  Go to a list of Chicago writers, most included in Smokestacks and Skyscrapers, and to a list of Black writers, most included in my book Black Writing from Chicago: In the World, Not of It?
* In Dunne’s “invented Irish patois” this word is “naygur.”

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The Wokeness Problem – Part 2

Prof. John McWhorter

The phrase “Black Lives Matter” was hijacked in ways that helped many Americans avoid, not face, the issue of race.*  Now “Wokeness” has suffered a similar fate.  CNN Business correspondent Allison Morrow writes, “Part of the problem is the way the term, which originates in Black American English, has been appropriated by White conservatives. Where staying ‘woke’ once meant being alert to societal injustices, conservatives often wield the term as a cudgel to disparage progressive ideas regarding race, gender and the environment.”

In fact, there is a lot to disparage about being woke, and what’s gone wrong with the idea exposes the flaws in the ways liberals or progressives have often dealt with race.  One of the deepest looks into this is  John McWhorter’s recent book Woke Racism: How a New Religion Is Betraying Black America.

John McWhorter is the kind of liberal conservatives just love. The Columbia University professor of linguistics, American Studies, and music history is liberal but many of his stances on what he sees as liberal cultural excesses and liberal trends in the fight against racism comfort conservatives.  The fact that he’s a black man saying these things is just icing on the cake.  In Doing Your Own Thing (2003), for example, he took on what he saw as 60’s excesses that degraded language and music.  Yet he’s not just an old-school curmudggeon.  In McWhorter’s fairly recent TED talk on texting, he refuses to say that texting is ruining the language.  It’s changing it, yes, but also renewing language and writing in healthy, powerful ways.  He calls it a linguistic miracle!

Woke Racism is an update of McWhorter’s 2001 book Losing the Race: Self-Sabotage in Black America. Adding the element of calling “Wokeness” a religion, McWhorter takes on wokeness’ religious-like fervor and dogma and its unquestioning call to join that both blinds the new initiates and does potentially serious damage to those the new religion is supposed to help.  As I write on race the presence of my intellectual patron saint, James Baldwin, always hovers near, and I’m reminded that he, too, was very hard on liberals, both black and white.  He felt they hid behind lovely slogans, or took just saying them as a substitute for actually doing something.  He felt they sought a too-easy absolution for the sins of racism and failed to understand the most fundamental needs of black people, needs which in many ways were simply basic human needs that transcended even the harm done by racism. Being “woke” is our most current version of blind liberalism.

In Losing the Race McWhorter says defeatism was the most dangerious legacy of slavery and identifies three elements to it that cause blacks to sabotage themselves in their efforts to overcome racism.  First, the “cult” of victimhood; second, the idea of separatism; and third, a version of separatism, anti-intellectualism—one of whose most damaging, everyday manifestations is students feeling that doing well in school is “acting white.”  Wokeness, now imbued with religious fervor, enforces all three in McWhorter’s view, a view which needs to be taken seriously.  To the extent to which wokeness encourages an instinctive response of defeatism in Black America, or any people of color, it is truly an enemy to be watched.  Woke people need to truly ask themselves to what extent they see blacks and other people of color as essentially victims, as essentially so victimized that separatism is both their identity and a cure for their ills.  Even as useful a book at Robin DiAngelo’s White Fragility has come under fire not only for coddling whites, but, as Ismail Muhammad, writing in The Atlantic, says, “It substitutes consciousness-raising for concrete policy changes, critics argue, and in the process creates a caricature of Black people as hapless victims.”  Woke people also need to constrain the attitude that the facts are so evident we don’t need to think about them, analyze their contexts, study how people react under their pressure.  Not to do so is to substitute blind faith for intellectual rigor and, once again, allow “facts” to lead us to a vision of Black victimhood.

My father used to tell me about being on his way to a library in L.A. in the 1930’s when a white person shouts “Hey, monkey!” at him.  “I thought,” he said, “you’re way more hairy than I and most Filipinos, so who’s closer to monkeys, you or us?”  Part One of these thoughts on wokeness featured a short comedy segment from Trevor Noah. (Use this link to go back and watch it again.)  Noah begins by telling how he’s walking with some friends when someone shouts, “Hey, monkey!”  One of his friends, surely a woke person, immediately says, “Oh, Trevor, I’m so sorry!”  Noah responds, “How do you know it was me?” His gestures and facial expressions suggest that his friend thinks it’s obvious, that it couldn’t possibly be him or anyone else.  In that moment, he reveals that underneath all that wokeness there’s an unchanged sense of blacks as victims and whites as superiors.

To the extent that Woke Racism gives comfort to conservatives by helping them divert their attention from the reality of racism, McWhorter himself has hurt the cause of justice and inclusion.  But to the extent that he makes progressives take a close look at their underlying perceptions of blacks and other people of color Woke Racism will perhaps help us build a world that’s truly equitable, not a world where equity still sits on a foundation of white supremacy.

* In my sermon “Three Things to Stop Saying” I speak about the effects of substituting “Black Lives Matter” with “All Lives Matter.”

Read Part One of this article.  Both are part of a series based on ideas used in the Becoming the Beloved Community workshop.  Go to the series’ LEAD POST and to the Diversity Training and Teaching main page.

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Two Films on Homelessness

I have served in homeless shelters for over three decades, the most current being Daybreak in Joliet, Illinois, a shelter started by distinguished advocate for the homeless Diane Nilan in 1988.  State mandates during our pandemic have restricted the number of people who can be housed there, and as I look out at the barely half-filled dining hall I wonder where all the others have gone.  Homelessness and hunger are only increasing in the U.S.  In the richest country in the world, 1.5 million children are homeless.

The Netflix short documentary Lead Me Home by directors Pedro Kos and Jon Shenk is a gorgeous film to start a journey towards understanding homelessness.  (Go to the film’s website.)  Beautifully filmed, filled with dramatic aerial drone shots, expertly edited with smart cuts and overlaps, it’s a visual feast which strikes you hard and keeps you riveted for its entire 40-minute length.  It’s got soul, and you’ll feel homelessness viscerally, something of tremendous value.  Yet it won’t necessarily give you an understanding of how the people we see actually got there.  Early in the film an interviewer asks a homeless man how he became homeless, and through an embarrassed smile and laugh he says, “Well, that’s a long story.”  But we never get that story, and only glimpse other stories.  “If I have to choose between paying the rent in two weeks, or feeding my kids tonight, I’m going to feed my kids,” says one mother.  Later we find that her ex-husband raped her, which is why she’s pregnant with her fourth child.  Of course, we can fill in much of her story but are only given, total, about a minute of her actually speaking with us.

I would recommend this beautiful film for, as I said, starters. For a deeper understanding there’s Diane Nilan’s on the edge: family homelessness in america.  It was shown across the country on PBS on or around Mother’s Day 2012, and we played some small part in getting this done.*  You can now watch the whole film on YouTube.

I remember the day Diane called me to announce her intention to sell her condo, buy an RV, and travel through the U.S. filming stories of homelessness and eventually making a film.  I was so thunderstruck I fell silent, coming to only when I heard her saying, “Richard, Richard, are you still there?”  “Well, have you ever filmed before? Do you have a good camera?”  These might have been the first words out of my mouth.  “No,” she replied, “know where I can get a good one cheap?”  When her first film, My Own Four Walls, came out, I was astounded. Now also available on YouTube, it was focused on homeless children.  on the edge widens out to show mothers and children and how they actually got to be homeless.

There aren’t any aerial drone shots or fancy cutting, but the shots are good, and they’ve been directed and edited together expertly by Laura Vasquez, a professor at Northern Illinois University who volunteered her time and effort.  What Nilan and Vaquez have created is a film that sometimes moves too slowly, but over its hour length Vasquez uses that pace to slowly unwind the stories of seven women.  Talking head shots give us experts putting the homeless crisis in perspective, but it’s that slow descent into these women’s pasts that remains central.  Finally, we arrive at the traumas that led them to become homeless. Perhaps the most dramatic moment is when one of them finally says, “My mother was murdered.”  Another mother was mentally ill and just couldn’t take care of her child, who then spent 10 years in homeless shelters.  “The first time he hit me” is the almost casually delivered phrase that leads to a story of domestic violence.  “There was so much love,” says another, whose injuries led to pain pills, which led to losing her job, her apartment, then her son, and all that love.  Another was sexually abused by her step-father.  She then delivers the news almost casually, but with such a strong undercurrent of astonished betrayal, that her own mother sided with him and actually bailed him out after he’d been arrested for the crime.

You might question the choices some of these women have made, but the slow revealing of the traumas that led to them also make us question ourselves.  Would we have made better choices if we had suffered likewise?  Another question is, How big is our homeless crisis really?  At the end of Lead Me Home, and in the graphic on the film’s website shown above, it says that 500,000 people suffer homelessness every night.  That’s a figure than enrages Nilan, from whom I got the figure I ended my first paragraph with: in America 1.5 million children alone are homeless.  The 500,000 figure applies to what we stereotypically think of as the homeless: men and women on the street or sometimes in shelters.  But add to that families constantly on the move, living in hotels, very temporary apartment situations, holed up with friends and families, or just one paycheck away from losing where they’re living now, and that number swells into the millions.  What were the choices that we as a society have made to get us to this point?

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Part of the answer to my ending question can be found in Diane Nilan’s book Crossing the Line: Taking Steps to End Homelessness. Diane is now founder and president of Hear Us, which you can find out more about at links above.  * Go to the call to action and congratulations posts for the PBS campaign for on the edge.  Go Here for the on the edge page of the Hear Us website.

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