Lerone Bennett, Jr.: Before the Mayflower

Bennett-2Born in iconic Clarksdale, Mississippi, October 17, 1928, Lerone Bennett, Jr., came to Chicago in 1953 to become associate editor of Jet magazine, then associate and senior editor at Ebony starting in 1954.  He has also been a visiting professor of history at Northwestern, senior fellow of the Institute of the Black World, and member of the board of directors of the Chicago Public Library.  Author of many articles, short stories, and poems, he became a mainstay of Chicago’s Johnson Publishing Co., writing ten books for them, including Pioneers in Protest (1968), and The Challenge of Blackness (1972).  Hailed as one of the country’s best popular historians, he has played an enormous role in conveying the power of the Black presence in American history, as well as showing the way to better communications not only between Blacks and whites, but between Blacks and their own constituencies, as he did in Confrontation: Black and White (1965).

Before the Mayflower by Lerone Bennett Jr.His most influential book has been Before the Mayflower, first published in 1962. In Chapter 3, “‘The Founding of Black America,” Bennett tells the story of the crucial role black patriots played in the American Revolution, including the legendary Crispus Attucks, who, as the first person to die in the Revolution, has been a source of immense pride for black Americans.  He distinguishes four “recognizable types” in the founding of black America: Jupiter Hammon, who “went over to the enemy…producing intellectual products that…buttressed their world view;” Phillis Wheatley, a founder of American poetry, who “subtly challenged” the premises of American society “by the authority of her work;” the anonymous Othello, the outright militant; and Richard Allen who “spoke in muted tones but created big sticks of organization,” including the AME Church and, with Absalom Jones, the Free African Society.

In my book Black Writing from Chicago I included an excerpt from the end of Chapter 3 of Before the Mayflower, which begins by focusing on Allen and moves on to John Baptiste Pointe Du Sable, the founder of Chicago.  Black protesters withdrawing from the white Methodist Church debated what to do next: whom to be affiliated with, whether to go it alone, etc.  “Behind this debate,” writes Bennett, “was another question: What relation, if any, should blacks have with white institutions?”  Questions like this formed the basis for my decision to subtitle Black Writing from Chicago with a question: In the World, Not of It?  After sometimes acrimonious debate the Free Africa Society split in two, the larger group following Absalom Jones into the Episcopal Church.  But Richard Allen knew those blacks were still denied full status in that church—being, for example, barred from governing boards and annual conferences.  “In 1816,” Bennett tells us, “he became the first bishop of the African Methodist Episcopal Church, the first national organization created by blacks,” and, he continues, “Men and women made in Allen’s image dominated the second phase of the Black Pioneer period, creating a tier of independent black churches that spanned the North…By 1830 there were black churches of almost every conceivable description, including an Ethiopian Church of Jesus Christ in Savannah, Georgia, and a black Dutch Reformed Church in New York City.”

On the business side of things Bennett extols Du Sable, who in the 1770’s laid, “the foundations of Chicago, building the first home there and opening the first business.”  Yet, says Bennet, “The contributions of Du Sable and other black founding fathers had no appreciable effect on the level of racism in America.  There are even indications that Du Sable the founder was isolated and pushed to the sidelines of Chicago life in the 1790s when large numbers of white Americans settled in the area, bringing with them traditional American perceptions.  If, as seems probable, Du Sable was indeed the victim of his own creation, he shares that mournful distinction with thousands of other black pioneers….”

 Go to a list of Black Writers on this site.

 Go to the Black Writing from Chicago main page, where you can also BUY the book.

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Conrad Kent Rivers: Of Mourning Songs and Revolutions

Conrad Kent RiversConrad Kent Rivers’ success with poetry began in high school where his “Poor Peon” won the Savannah, Georgia, State Poetry Prize in 1951.  He went on to publish poems in such magazines as the Antioch Review, the Kenyon Review, Negro Digest, and many others.  His books of poetry include Perchance to Dream, Othello (1959), These Black Bodies and This Sunburnt Face (1962), and Dusk at Selma (1965).  After graduating from Chicago State, he taught in the Gary public schools until his sudden death in 1968, the same year the interesting Heritage series from London’s Paul Breman house published his powerful The Still Voice of Harlem, and posthumously his The Wright Poems (1972), introduced by Ronald L. Fair.

The poems I included in my book Black Writing from Chicago come from these two volumes.  For the 1962 anthology Sixes and Sevens he wrote:  “…I am not at peace with myself or my world.  I cannot divorce my thoughts from the absolute injustice of hate.  I cannot reckon with my color…And I shall continue to write about race—in spite of many warnings—until I discover myself, my future, my real race…I agree with Baldwin that ‘nobody knows my name.’ All the standards for which the western world has lived so long are in the process of breakdown and revision; and beauty, and joy, which was in the world before and has been buried so long, has got to come back.”

Perhaps his most famous poem is the ultra-short, and tragically still-ultra-pertinent “Watts:”

Must I shoot the
white man dead
to free the nigger
in his head?”

I publish this in the midst of the era running from Trayvon Martin through the Charleston church massacre, an era with many, many precedents and—though decent Americans wish it were not so—probably many, many more incidents like these in our future.  But who’s doing the shooting?  The clubbing?  The tazing?  I stopped at Charleston, but the hits just keep coming (Sandra Bland, etc. etc. etc.).

The Conrad Kent Rivers Prize has been a coveted award of the Chicago writing community, which he honored many times, including with those poems he wrote for Richard Wright and also for Hoyt W. Fuller.   In The Wright Poems he pursues the idea of Richard Wright returning from Paris to lead a black cultural revolution.  “A Mourning Letter from Paris (for Richard Wright)” begins, “All night I walked among your spirits, Richard: / the Paris you adored is most politely dead.”  It ends with a call home that’s also an admonition:

For me, my good dead friend of searing words
and thirsty truth, the road to Paris leads back home:
one gets to miss the stir of Harlem’s honeyed voice,
or one forgets the joy to which we were born.

His poem “In defense of black poets (for Hoyt)” memorializes Hoyt W. Fuller’s scathing critique of the do-little black middle class. “A black poet must remember the horrors,” he says, but:

It shall come to pass that the fury
   of a token revolution will fade
into the bank accounts of countless blacks
   and freedom-loving whites.

The brilliant novels shall pass
   into the archives of a ‘keep cool
we’ve done enough for you’ generation…

only the forgotten wails of a few black
   poets and artists
shall survive the then of then,
   the now of now.

 Go to a list of Black Writers on this site.

 Go to the Black Writing from Chicago: In the World, Not of It? page.

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Emmanuel House Dinner and Auction

NOTE:  In 2018 Emmanuel House merged with its long time partner The Joseph Corporation to become THE NEIGHBOR PROJECT.  The move increased its capacity to serve families by more than ten fold.  Go to The Neighbor Project website for more, and watch executive director Rick Guzman’s talkEvery Person’s God-Given Ability to Contribute.”  Given at the 2020 virtual fundraising gala, there’s no better place to gain a sense of the growth and vision of The Neighbor Project.

♦♦♦  Go HERE for information about the more current fundraising gala for The Neighbor Project.

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Big changes afoot at Emmanuel House which will be announced later this Spring.  In the meantime our…

ANNUAL EMMANUEL HOUSE DINNER & AUCTION…returns this April 6th.  It’s an elegant Gala this time with dinner, desserts provided by Food Network star Chef Roby, and a private concert for just 150 people with Danny Gokey, 2018 Grammy-nominated singer and American Idol finalist.  PLUS our elite silent auction, including such things as a vacation package to Sedona, AZ.  Go to the Emmanuel House website, or click on the gala’s logo below for more information, or to register and purchase a ticket.

SPECIAL OFFER:  General admission is $150 per ticket, BUT the first five people who EMAIL me HERE will receive a ticket for just $90.  Fill in your name and email, put “Gala” in the subject line,  and write “Contact me about $90 ticket” in the message box.  Then click Submit.

In 2016 Emmanuel House was named one of theTop 100 Most Innovativesocial change organizations in the world.  In April 2018 it merged with long-time partner The Joseph Corporation to become THE NEIGHBOR PROJECT.  The move quadrupled its ability to help lift working families out of poverty.

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Go to The Neighbor Project website AFTER February 13, 2018, to register for this year’s Gala/Dinner/Auction (at full price), or to get involved by Donating, Volunteering, or Investing.  

 Go Here for the Emmanuel House main page on this site for videos and articles explaining details of our program and history.  We help move families out of poverty through home ownership and higher education.

 Watch a couple of minutes from Danny Gokey’s “Hope Is A Home” benefit concert for Emmanuel House, held just before the 2015 Dinner/Auction.  Danny took 3rd in 2008’s American Idol.  He has an amazing voice and an even more amazing story.

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A LOOK BACK AT PREVIOUS AUCTIONS and DINNER/AUCTIONS:

2015: The 8th Annual Dinner/Auction
…used “Hope Is A Home” as its theme (also see the Hope Is A Home concert video just above).  Held November 13th at the Two Brother’s Roundhouse, Aurora, IL, it sold out two weeks early!  When each year’s registration opens, don’t wait around!
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Go to posts and videos of the 2012 5th Annual, and the 2011 4th Annual.  We began with “just” an auction—but the Superbowl of Auctions, an attendee once said, because there were hundreds and hundreds of items.  In 2014 Emmanuel House started a Dinner/Auction combination, with fewer items but more of a chance to socialize and actually talk about the organization, its processes, its goals, and dreams.

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