“Race aside…” and the Limits of American Law

Trayvon MartinFor many reasons this comment has stuck with me most in the aftermath of George Zimmerman’s aquital in Trayvon Martin’s death: “Michael Vick got two and a half years for dog fighting.  George Zimmerman gets nothing for his part in the death of Trayvon Martin.”  Many people have said something like this, and many more have said America’s justice system needs to be reformed.  But how?  Given the very nature of law—as currently conceived—it would take a sea change of monumental proportions, and law cannot ultimately save us anyway.

What occupies much of the legal process is determining what can be “set aside”—what parts of the real life situation one can, or must, weigh more lightly or ignore all together.  Paradoxically, then, law often adjudicates a version of life that sometimes only faintly resembles the original situation.  It does so to retain some measure of “objectivity” or “neutrality”—something even the hard sciences have questioned profoundly for over a century.  When it comes to law, many question this “neutrality” as well. Who seriously believes, for example, that politics and ideology play no part in the Supreme Court, where we regularly speak of conservative vs. liberal?  Of course, each side—especially the conservative side—believes it’s being objective while the other side isn’t.

Law-ColorIt was easier to convict Michael Vick simply because it was easier to actually set “race aside” in his case.  It wasn’t that easy in Trayvon Martin’s.  Most Americans have gone along with the legal decision, however, because putting “race aside” is perhaps the deepest wish of the American people.  I have said many times that Americans would rather talk about anything but race—anything.  “Do you have to bring race into everything?” is our favorite, dismissive question.  Sometimes the question makes sense, though in the U.S. it never makes complete sense because, as many have said, racism is our original sin, something woven into—not just stamped on to—the fabric of our national being from the time of the Pilgrims.

Objectivity, neutrality, colorblindness—these too are woven into the very nature of law, even though critical race theory, daily experience, and the very history of American law itself have so clearly and so often negated such pretenses.  In her essay “The Death of the Profane,” from her 1992 book The Alchemy of Race and Rights, Patricia Williams, James L. Dohr Professor of Law at Columbia, wrote about her anger at not being able to shop in a New York Benneton’s because the store clerk would not buzz her in.  The store clerk was a white teenager.  It was 1:00 p.m., and several white people were shopping in the store.  Professor Williams is black, yet when she submitted her essay on the incident to a law journal and it went through the editing process, each round of editing sought to edit race out—even the fact that she was black.  After fierce debate, she won this last battle, but wrote:

“Law and legal writing aspire to formalized, color-blind, liberal ideals.  Neutrality is the standard for assuring these ideals; yet the adherence to it is often determined by reference to an aesthetic of uniformity, in which difference is simply omitted.  For example, when segregation was eradicated from the American lexicon, its omission led many to actually believe that racism therefore no longer existed.  Race-neutrality in law has become the presumed antidote for race bias in real life.”

RaceTalkWith the election of Barack Obama, many Americans believe—despite absolutely overwhelming evidence from virtually every area of daily life—that we have entered a “post-racial” age.  Behind this is the fervent belief in colorblindness.  In the late 90’s, I presented a diversity plan for a prominent Illinois school district at several community town hall meetings, where I was hit over and over and over again with the bat of colorblindness.*  The swinging of that bat has to stop.  Someday we simply have to look at the evidence—again, it’s overwhelming—and admit color matters.  So far, however, the idea of colorblindness usually prevails, even for many people of color.

For example, at a forum on racial profiling at my own college just a few days ago (July 23, 2013), one panelist, a member of the NAACP national board and an actual A.M.E. church minister—in other words, someone who should have known better—said, “Justice is colorless…A lot of people are emoting about Trayvon Martin. We need to get beyond the emotions.”  Here our cultural wish for colorblindness sanctifies our legal pretense of race-neutrality.

It is “the dream of all liberal men,” James Baldwin wrote, “to join hands and walk together into that dazzling future when there will be no white or black…a dream not at all dishonorable [my emphasis], but, nevertheless, a dream.  For, let us join hands on this mountain as we may, the battle is elsewhere.  It proceeds far from us in the heat and horror and pain of life itself where all men are betrayed by greed and guilt and bloodlust and where no one’s hands are clean.”  In the heat and horror and pain of life itself George Zimmerman confronted Trayvon Martin.  The real battle is there.  And there, you can bet he—like virtually everyone who’s killed an unarmed black man—saw color, even though American law continues to hold to the belief that he didn’t.

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* The diversity plan was for Naperville Community Unit School District 203, Naperville, IL.  Go Here to read more and see the pamphlet mailed to each household in the district.

** Go to the TEACHING DIVERSITY main page, and to an article about the shooting of yet another unarmed black man, Stephon Clark.

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Commentary List

CommentaryThe list below creates easier access to commentaries and a compact overview of them.  They are coded to approximate their major content: C=Culture, S=Society, P=Politics, and arranged into these rough categories— though these almost always overlap, something I have also tried to indicate.  Several of these pieces are listed elsewhere on this site, especially on the Teaching Diversity main page.

Though access is less easy, you may also read commentaries by clicking on the “Reviews & Commentary” category to get the first few lines of a commentary and a Read More link.  Here reviews are arranged in newest-to-oldest order.

 

—Links go live when material becomes available—

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Art and Technology: Thomas Hart Benton’s “The Race”

Like many Americans of his age, the painter Thomas Hart Benton (1889-1975) spent much time obsessing about how the new Age of the Machine, epitomized by trains, was colliding with the passing of what could be called the Age of Natural Muscle.  In the mid-30’s he was America’s most famous painter, one of the few painters ever on the cover of Time magazine, and as New York Times critic Holland Carter recently wrote, a “purveyor of muscular scenes of American life.”

"Threshing" by Thomas Hart BentonSometimes, as in the 1938 painting “Threshing Wheat” (left), the the farm machinery seems to co-exist peacefully with the farmers and horses, merely making agriculture more progressive and productive.  Still the horses seem to bow in acquiesence, and the steam from the tractor and combine, though it flows in perfect unison with the clouds, is black.  It comes between the blue and white of the natural sky, threatening to cut the land off from its source of rain and sun.

The Wreck of the Ole'97 by Thomas Hart Benton

In 1943’s “The Wreck of the Ole ’97” (above), hopes of a peaceful co-exist are gone, horses and people thrown by the out-of-control train, an image made even more moving and relevant by the tragic events this July 2013 in the small eastern Quebec town of Lac-Magentic.  There a runaway train filled with pressurized fuels derailed and exploded. Twenty people are presently known dead, another 40 to 60 missing and presumed so, and the historic town center wiped out

The Race by Thomas Hart BentonAnother Benton painting, “The Race” (left), preceded “The Wreck…” by a year and portrays a horse running just ahead of the train fated to overtake him.  The VIDEO BELOW features Shannon Bonifas, one of my brilliant and beautiful daughters-in-law.  An expert on modern art, Shannon was then working at Clars, the art auction gallery in California’s Oakland-Berkeley area, and a Clars’ event was part of public tv KQED’s fundraising efforts.  Here she brings in and explains this painting more fully.

Many say the next 25 years will see technological change coming faster than the preceding 200 years, something hard to imagine.  Saying anything about what’s to come—computer screens in our glasses, even computer chips in our skulls—will virtually be old hat the next month…or hour.  Yet as obesity rates skyrocket and we hear of more and more parents realizing it might be good for their kids to just go out and play, we might be able to trace the beginnings of these dilemmas to the time when the Age of the Machine—in our time not a train but a supposedly “smart machine,” the computer—collided with the age of natural muscle.

  Go to the ARTS main page.

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