C.O.R.E. or C.O.D.E.?

The Congress of Racial EqualityBelow are links to several documents charting the progress of an initiative to make race more central to my college.  We have a list of Goals, the outlines of a new Academic Minor, and some examples of Messaging.

About a year ago, at a community forum during my college’s annual, week-long celebration of Martin Luther King, Jr.,* I was struck once again at how fervently we talked about race, but also how we talked about it mainly during just this week.  We all knew it.  We talked fervently about that, too.  So, spontaneously, I stood and said I would get a group of people together to propose structural changes that would make race a more central, everyday, on-going presence in our institution’s life, so much so that one day soon every graduate would have looked closely at race, understood its pernicious effects, and caught some glimpse of what we could do about it.  Returning to my office, I sent an email to faculty and staff asking for volunteers to join the project.  Within 24 hours I had 41 Yes responses.  The number has grown, most importantly with students who have joined and will ultimately be the difference-makers.

During the ensuing year much has begun to happen.  One of my goals has been to bring us up to the level of many corporations, at least in how they message their commitment to diversity, a commitment far ahead of most universities.  They’ve known for decades how good diversity is for business.

The logo for NPR's Code Switch: Frontiers of Race, Culture and Ethnicity

The logo for NPR’s Code Switch: Frontiers of Race, Culture and Ethnicity

Wait.  “Diversity”?  What happened to “Race”?  Originally, I came up with the name CORE—the Coalition on Race Education—for our group.  It not only captured what most of the original “volunteers” wanted to focus on, but also echoed the famous Civil Rights group CORE: The Congress of Racial Equality.   I had told the group from the beginning that our most difficult task would be to keep race central while not scaring people off.  I have often said that Americans would rather talk about anything but race—anything—and have written about this many times.**  This aversion is one reason race remains such an intractable problem.  I was especially moved to propose our CORE when, at the forum I mentioned above, Joshua Barnes, black, the 14-year-old son of Brandon Barnes, one of our current students, rose to say, “I was wondering why so many other groups in our society seem to get their rights, but black people don’t.”  It’s partly because once any issue, any group, any cause enters the room where we were talking about race, race goes to the back burner immediately, if it even stays on the stove.  That’s how eager we are not to talk about it, much less actually deal with it.

So even though I still refer to our group as CORE, I’ve asked them if they want to switch to CODE, standing for the Coalition on Diversity in Education.  “Diversity” is the word.  Even on this site, where I write a lot about race, I use “diversity,” not “race,” in the site’s tagline.  And CODE—as in “Code Switch,” the name of NPR’s excellent site on race and ethnicity—resonates deeply with the Black American past.  “Signifying” is a closely related word for it, where blacks had to use coded language to communicate meanings their slave masters would not understand, words they would not realize were codes for something else.***

So we will probably switch to CODE, though not everyone agrees.  Most folks like “diversity.”  It’s a lovey-dovey word, easy to embrace if you forget the hard parts.  We’re hoping against hope that race doesn’t lose out once again, doesn’t get consigned to some margin which makes us more comfortable, but enables race—racism—to continue its insidious, tragic work in our world.

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*  Watch this song/video rendering of one of MLK Jr.’s greatest sermons, the so-called “Riverside Sermon.”  Follow links to other MLK Jr. material.

**  For examples look at “Peg MacIntosh’s Invisible Knapsack” or “Race Aside and the Limits of American Law.”

***  Watch episode 4 of my video series on Ray Charles where I talk more about “signifying,” something closely related to “code switching.”

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  See a summary of the Major Goals of CORE/CODE.

  See initial proposal for a Minor in Race and Ethnicity Studies.  The name will most like be changed simply to “Ethnic Studies.”  Again, “Race” scares us, but I have also said for over 20 years that the frontier of ethnic studies is White Studies, a place where “whites”—who really are never simply “white”—can recover a heritage that will, hopefully, allow them to understand race more deeply.

  See an example of messaging from corporate American, here BMO-Harris Bank, where Diversity is clearly up front as a core value.  This is an image that regularly appears on all employee computers.  Here’s what Henkel Corporation does, and of course you probably want to check out Apple.

  Watch the VIDEO “A Very Short Film About Diversity” produced by some college students and myself to show in all First Year Experience seminars at North Central College.

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Kevin Andrew Prchal: New Songs with Deep, Old Echoes

Kevin Andrew PrchalSome song writers have a knack for writing songs both clearly contemporary but also really old.  Their sound is new but anchored so deeply in some ancient American memory, it seems the songs could have existed 200 years ago.  Think of The Band, whose song “The Night They Drove Old Dixie Down” sounds like a Civil War folk song, except its hero’s story, Virgil Cane’s story, is borne along on electric guitars, organs, and classic rock drumming.  Or, again, The Band’s “The Weight,” where all the mechanics of modern rock come to the service of a story that seems indecipherably old, from a time shrouded in an ancient fog where you can just make out someone walking side by side with the devil.  Dylan, of course, whose greatest band was The Band.  Just as he was bringing them on he released John Wesley Harding, an album sounding, Paul Williams wrote, as if Dylan “came out of the oblivion of pop retirement, went south where it all began, and reinvented rock and roll as it might have sounded just days before Elvis made his first record.”  But listen to “All Along the Watchtower” and you’ll hear echoes of song that seem much, much older.

Kevin Andrew PrchalOf younger song writers Kevin Andrew Prchal has this knack, too.  On his first album, Eat Shirt and Tie, his “We Want Peace Not War” sounds like a song that could have been on a protest soundtrack against Vietnam, or a rallying cry for the Civil Rights movement.  On his second album, Sorrow Sings, “Everything Kills,” feels the same, but it protests everything—“every hand shake, every fist, every curse and every kiss, every bottle, every pill.  It don’t add up,” he sings, “but everything kills”—especially churches and creeds and crowns that lead to wars.  It’s like “Imagine” without the hopeful parts…and with a beat.  “Everything Kills” bounces along, ironically, with country rhythms and a pedal steel, but the wonder of Sorrow Sings are the slower folk numbers like “Rise and Dim,” and especially “Follow the Mountain.”  It almost becomes a chant—“Follow the mountain, follow the mountain home”—a song written in the age of GPS but leading us to a place and time before anything modern was discovered and the heart was probably easier to find.
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Kevin Andrew Prchal

A still from the video “Rise and Dim

I may be biased.  I know Kevin, and he has been a great friend to our family and to Emmanuel House, an organization that has grown far beyond our family but did start there as a memorial to its youngest member, Bryan Emmanuel Guzman.  So check things out for yourself.  Visit Kevin’s website, watch the lovely video for “Rise and Dim” currently on its front page (or use the link in the picture caption to the left).  Listen to his other songs, too, and buy them.  You’ll see I’m not far off, if at all.  It’s wonderful music.

NOTE:  Kevin knew my youngest son Bryan only slightly, but when Bryan died he came to the wake.  Later he wrote: “He was a kind soul.  The kind that would tell you everything was going to be ok, and it would be.  The kind you could call at any drunken hour to pick you up, and he would do it.  The kind who would laugh at your joke even if it weren’t funny, who would ask about how your day was, and sincerely care to hear about it…He was a full moon on a blanket of starts, and he shined more than ever last December, the night of his wake.  The line outside of the funeral home is to this day one of the most incredible sights I’ve ever seen.”  Kevin came close to us that evening and has stayed close ever since, supporting Emmanuel House with so much of his time and talent.  Yet I’m sure that even if he hadn’t, I would have still been stopped in my tracks by his music and taken—as I have—many, many listens.

 Visit Kevin’s website and type in Kevin Andrew Prchal on YouTube and Vimeo for more music.

  Watch Kevin and Dan Guzman do Leonard Cohen’s Hallelujah—featuring a gorgeous guitar solo by Dan—and Kevin’s “We Want Peace Not War” in an impromptu concert at the Bryan House Garden Dedication.

 Watch Kevin and Wheeling Birds do “Make Me A Believer” at a TEDx event, then excerpts of this song and other Prchal favorites on the big stage at the 2016 Two Brother’s Summer Festival.

 Watch a video of “Hallelujah” performed in honor of Bryan by a band of all-star Chicago musicians organized by Kevin for an Emmanuel House benefit at the Metro.  It’s grainy and dark, but you’ll get the idea.

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Globe Trotting with Deanna

On the train from Heathrow to London.

On the train from Heathrow to London.

On October 20th many years ago, Linda and I were married in Old Town Chelsea, London.  On October 23rd we picked up our closest friend, Deanna Petersohn, from Heathrow Airport to continue exploring England and France with. Early Friday morning, the day after Thanksgiving 2015, we lost her.

Our first London stop: Kew Gardens.

Our first London stop: Kew Gardens.

She was only 60 and died less than three months after she found out she had cancer.  She talked about our England-France globe trot all the time.  She put pictures of it all over her home and had a large, picture-frame serving tray packed with more England-France photos.

Taking pictures on a Paris bus. "Me in Paris. Who knew?" she kept saying.

Taking pictures on a Paris bus. “Me in Paris. Who knew?” she kept saying.

Who knows how many others we have lost from those days?  In the Epilogue to my Remembering London series, there’s a picture of my youngest son, Bryan—now gone as well—with Peter Knowles, a friend from Vincent House, the crazed Notting Hill residential hotel I lived in while teaching in a study-abroad program based at Imperial College.

At the Louvre.

At the Louvre.

I know Peter no longer lives there.  Another episode of the series, “Fear the Urine,” tells of the passing of another Vincent House friend, Rochfort Young.  So this post is a kind of Epilogue to the Epilogue of my London series: mostly a few pictures from some of the happiest days of our lives.

 

Deanna and Linda, the best of friends, back home.

Deanna and Linda, the best of friends, back home.

 

 

 

 

 

 

 

 

 

 

 

Learn more about our friend:
  Video: Psalm 103 – Transience and Compassion
  What the Widow’s Mite Adds Up To

 Go to the Lead Post in my Remembering London series.

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