Remembering London – Part 6: An Early Epilogue

Linda and I in Monet's bedroom, Giverny, France.

Linda and I in Monet’s bedroom, Giverny, France.

I returned to the United States in mid-December 2000 after a semester teaching abroad.  I left a cold, drizzling London to land in ice-bound, 10-below-zero Chicago.  Linda and I had planned to go straight to Brookfield Zoo to catch its annual Christmas lights display, but the weather drove us straight home to begin being together again and start reliving the many things we were privileged to do during the couple of weeks we spent together not only in London but in France.  I had wanted her so badly to experience London’s riot of flowers and feared that it would have calmed by mid-October, the earliest she could come visit.  It had, though London still bloomed magnificently, and in Monet’s garden in Giverny, France, which we had wanted to visit together for years, flowers still exploded with the reds, oranges, blues and yellows of Fall.  Roses still climbed overhead on trellises; nasturtiums still choked the Grand Allee, the path leading to the front door of Claude Monet’s house.

My Jazz and Culture class.  We listened all over London.

My Jazz and Culture class. We listened all over London.

Even before our time together, I was already in reminiscence mode and had gotten the idea that I should bind excerpts from my letters and journals into a booklet and give them out to certain people as a remembrance of my time in London.  Also, before I left Naperville, Illinois, Prof. Jack Shindler, a colleague of mine at North Central College and head of International Programs there, asked if I wouldn’t send back occasional writings for possible publication somewhere.  Journal entries thus began to take on more formal shapes in my mind even before I landed and had written a single word.  One result has been this web series I have titled “Remembering London.”  Only a month in to my stay, I began this epilogue.

Marietta (standing), head of the dining room, her arms on the Thompsons.  Richard is now head of Vincent House.

Marietta (standing), head of the dining room, her arms on the Thompsons. Richard is now head of Vincent House.

By then, late September, I knew that the shapes already taking place in my mind might not allow the mentioning of so many events that happened between late August and mid-December. There was the missile launched at the eighth floor of the MI-6 building which houses British spy operations—“a kind of super CIA,” our guide Deborah called it as our tour bus went by it on September 27th on our way to Canterbury and Dover Castle.  Deborah was hilarious.  A droll, sarcastic wit, she was amazed at how quickly they had fixed the hole the missile made.  I’m afraid she too, like many Londoners I met, loved disparaging the French.  She delighted in telling us how the English slaughtered them with the long bow and warned us to be careful to give the “V” for victory sign with our palms out.  To incapacitate the dreaded long bowmen for good, enemies like the French would chop off their first and middle fingers, such that the “V” with backhand out came to be a defiant English gesture—”See, we still got two fingers to slaughter you with!”  The backhand-out V came to mean much the same as a similar, more contemporary gesture with only one finger up.

Some of the many international students living at Vincent House.  The picture below shows some who served as maids for room, board, and a small stipend.

Some of the many international students living at Vincent House. The picture below shows some who served as maids for room, board, and a small stipend.

Then there was the sinking of the Greek ferry where 66 people lost their lives.  There were the shootings at the Dome of the Rock in Jerusalem and the fighting that by early October had already taken 70 lives.  Several times in early October Islamic protestors lined stretches of Kensington High Street just south of Kensington Palace chanting as angrily, as defiantly, as any crowd I had ever experienced.  “We will never give up Jerusalem!”  “Israeli ‘Security’ police are murderers!”  “No peace with Israel.”  On one occasion, they had erected 15-foot poles, teepee-like, nearly in the middle of the street, lodging one of their number at the top with a bullhorn.  The justly infamous London traffic snarled even more, and more yet when a string of paddy wagons came to take the tee-pee sitter and others away.  Perhaps most of all, there was the downfall of Slobadan Milosovic, the Slob we all called him at Vincent House.

Student-Maids2More personally, I began to feel the pieces I would write wouldn’t allow me to spend as much time as I wanted on all the Londoners I met, especially at Vincent House.*  The moment I began describing Vincent House to Linda, she said, “You’ve wound up at Fawlty Towers!”  I remember hearing the name of this BBC comedy, though didn’t remember ever seeing an episode.  A short description of the premise, however—a hotel filled with eccentrics, run by a lunatic manager (Basil) always scrapping with his wife (Sybil)—proved somewhat accurate.

Peter Knowles flanked by my sons Daniel (on left), and the late Bryan Guzman (1985-2006). Most of my family came to visit. Peter no longer lives at Vincent House.

Peter Knowles flanked by my sons Daniel (on left), and the late Bryan Guzman (1985-2006). Peter no longer lives at Vincent House.

However, Robert Wyle, Vincent House’s manager wasn’t lunatic at all, mostly just harried, once saying to me, “If I ever get called Basil, or my wife gets called Sybil again, we’ll scream!”  Now that I’ve seen a few episodes the resemblances are both clearer and not, especially because the people at Vincent House are so vividly real, not just comic characters.  Funny, eccentric, regularly outlandish—they are some of the most engaging humans I have ever met.  When I last saw Robert Wyle on a later trip to England, he was about to retire from Vincent House.  “Richard,” he said as Linda and I were checking out, “It’s been so nice to see you again, and before you leave I just want to say…sincerely…Pay the bill and leave the key.”

Most of my family came to visit, along with Rob Ridenour, a friend of Aaron and Kari’s.  Rick wrote his adventures to Desiree, whom he had just begun dating.  And we brought over our best friend Deanna Petersohn.  All in all, these visits were highlights of my stay, topped perhaps only by getting to know all the people I did at Vincent House.  I began this epilogue in late September 2000 mainly because by then I was already missing them.

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* Earlier parts of this series feature many Vincent House denizens:  Marietta (pictured above) in Part 3: Fear of Pigeons…and Churches.  Rochfort Young and Peter Knowles in Part 1: Petrol and Race, and Rochfort, Peter, and Robert Wiles in Part 5: Fear the Urine.

 Go to the Lead Post of Remembering London for links to all series episodes.

Go to the Teaching Diversity main page.

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C.O.R.E. or C.O.D.E.?

The Congress of Racial EqualityBelow are links to several documents charting the progress of an initiative to make race more central to my college.  We have a list of Goals, the outlines of a new Academic Minor, and some examples of Messaging.

About a year ago, at a community forum during my college’s annual, week-long celebration of Martin Luther King, Jr.,* I was struck once again at how fervently we talked about race, but also how we talked about it mainly during just this week.  We all knew it.  We talked fervently about that, too.  So, spontaneously, I stood and said I would get a group of people together to propose structural changes that would make race a more central, everyday, on-going presence in our institution’s life, so much so that one day soon every graduate would have looked closely at race, understood its pernicious effects, and caught some glimpse of what we could do about it.  Returning to my office, I sent an email to faculty and staff asking for volunteers to join the project.  Within 24 hours I had 41 Yes responses.  The number has grown, most importantly with students who have joined and will ultimately be the difference-makers.

During the ensuing year much has begun to happen.  One of my goals has been to bring us up to the level of many corporations, at least in how they message their commitment to diversity, a commitment far ahead of most universities.  They’ve known for decades how good diversity is for business.

The logo for NPR's Code Switch: Frontiers of Race, Culture and Ethnicity

The logo for NPR’s Code Switch: Frontiers of Race, Culture and Ethnicity

Wait.  “Diversity”?  What happened to “Race”?  Originally, I came up with the name CORE—the Coalition on Race Education—for our group.  It not only captured what most of the original “volunteers” wanted to focus on, but also echoed the famous Civil Rights group CORE: The Congress of Racial Equality.   I had told the group from the beginning that our most difficult task would be to keep race central while not scaring people off.  I have often said that Americans would rather talk about anything but race—anything—and have written about this many times.**  This aversion is one reason race remains such an intractable problem.  I was especially moved to propose our CORE when, at the forum I mentioned above, Joshua Barnes, black, the 14-year-old son of Brandon Barnes, one of our current students, rose to say, “I was wondering why so many other groups in our society seem to get their rights, but black people don’t.”  It’s partly because once any issue, any group, any cause enters the room where we were talking about race, race goes to the back burner immediately, if it even stays on the stove.  That’s how eager we are not to talk about it, much less actually deal with it.

So even though I still refer to our group as CORE, I’ve asked them if they want to switch to CODE, standing for the Coalition on Diversity in Education.  “Diversity” is the word.  Even on this site, where I write a lot about race, I use “diversity,” not “race,” in the site’s tagline.  And CODE—as in “Code Switch,” the name of NPR’s excellent site on race and ethnicity—resonates deeply with the Black American past.  “Signifying” is a closely related word for it, where blacks had to use coded language to communicate meanings their slave masters would not understand, words they would not realize were codes for something else.***

So we will probably switch to CODE, though not everyone agrees.  Most folks like “diversity.”  It’s a lovey-dovey word, easy to embrace if you forget the hard parts.  We’re hoping against hope that race doesn’t lose out once again, doesn’t get consigned to some margin which makes us more comfortable, but enables race—racism—to continue its insidious, tragic work in our world.

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*  Watch this song/video rendering of one of MLK Jr.’s greatest sermons, the so-called “Riverside Sermon.”  Follow links to other MLK Jr. material.

**  For examples look at “Peg MacIntosh’s Invisible Knapsack” or “Race Aside and the Limits of American Law.”

***  Watch episode 4 of my video series on Ray Charles where I talk more about “signifying,” something closely related to “code switching.”

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  See a summary of the Major Goals of CORE/CODE.

  See initial proposal for a Minor in Race and Ethnicity Studies.  The name will most like be changed simply to “Ethnic Studies.”  Again, “Race” scares us, but I have also said for over 20 years that the frontier of ethnic studies is White Studies, a place where “whites”—who really are never simply “white”—can recover a heritage that will, hopefully, allow them to understand race more deeply.

  See an example of messaging from corporate American, here BMO-Harris Bank, where Diversity is clearly up front as a core value.  This is an image that regularly appears on all employee computers.  Here’s what Henkel Corporation does, and of course you probably want to check out Apple.

  Watch the VIDEO “A Very Short Film About Diversity” produced by some college students and myself to show in all First Year Experience seminars at North Central College.

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Kevin Andrew Prchal: New Songs with Deep, Old Echoes

Kevin Andrew PrchalSome song writers have a knack for writing songs both clearly contemporary but also really old.  Their sound is new but anchored so deeply in some ancient American memory, it seems the songs could have existed 200 years ago.  Think of The Band, whose song “The Night They Drove Old Dixie Down” sounds like a Civil War folk song, except its hero’s story, Virgil Cane’s story, is borne along on electric guitars, organs, and classic rock drumming.  Or, again, The Band’s “The Weight,” where all the mechanics of modern rock come to the service of a story that seems indecipherably old, from a time shrouded in an ancient fog where you can just make out someone walking side by side with the devil.  Dylan, of course, whose greatest band was The Band.  Just as he was bringing them on he released John Wesley Harding, an album sounding, Paul Williams wrote, as if Dylan “came out of the oblivion of pop retirement, went south where it all began, and reinvented rock and roll as it might have sounded just days before Elvis made his first record.”  But listen to “All Along the Watchtower” and you’ll hear echoes of song that seem much, much older.

Kevin Andrew PrchalOf younger song writers Kevin Andrew Prchal has this knack, too.  On his first album, Eat Shirt and Tie, his “We Want Peace Not War” sounds like a song that could have been on a protest soundtrack against Vietnam, or a rallying cry for the Civil Rights movement.  On his second album, Sorrow Sings, “Everything Kills,” feels the same, but it protests everything—“every hand shake, every fist, every curse and every kiss, every bottle, every pill.  It don’t add up,” he sings, “but everything kills”—especially churches and creeds and crowns that lead to wars.  It’s like “Imagine” without the hopeful parts…and with a beat.  “Everything Kills” bounces along, ironically, with country rhythms and a pedal steel, but the wonder of Sorrow Sings are the slower folk numbers like “Rise and Dim,” and especially “Follow the Mountain.”  It almost becomes a chant—“Follow the mountain, follow the mountain home”—a song written in the age of GPS but leading us to a place and time before anything modern was discovered and the heart was probably easier to find.
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Kevin Andrew Prchal

A still from the video “Rise and Dim

I may be biased.  I know Kevin, and he has been a great friend to our family and to Emmanuel House, an organization that has grown far beyond our family but did start there as a memorial to its youngest member, Bryan Emmanuel Guzman.  So check things out for yourself.  Visit Kevin’s website, watch the lovely video for “Rise and Dim” currently on its front page (or use the link in the picture caption to the left).  Listen to his other songs, too, and buy them.  You’ll see I’m not far off, if at all.  It’s wonderful music.

NOTE:  Kevin knew my youngest son Bryan only slightly, but when Bryan died he came to the wake.  Later he wrote: “He was a kind soul.  The kind that would tell you everything was going to be ok, and it would be.  The kind you could call at any drunken hour to pick you up, and he would do it.  The kind who would laugh at your joke even if it weren’t funny, who would ask about how your day was, and sincerely care to hear about it…He was a full moon on a blanket of starts, and he shined more than ever last December, the night of his wake.  The line outside of the funeral home is to this day one of the most incredible sights I’ve ever seen.”  Kevin came close to us that evening and has stayed close ever since, supporting Emmanuel House with so much of his time and talent.  Yet I’m sure that even if he hadn’t, I would have still been stopped in my tracks by his music and taken—as I have—many, many listens.

 Visit Kevin’s website and type in Kevin Andrew Prchal on YouTube and Vimeo for more music.

  Watch Kevin and Dan Guzman do Leonard Cohen’s Hallelujah—featuring a gorgeous guitar solo by Dan—and Kevin’s “We Want Peace Not War” in an impromptu concert at the Bryan House Garden Dedication.

 Watch Kevin and Wheeling Birds do “Make Me A Believer” at a TEDx event, then excerpts of this song and other Prchal favorites on the big stage at the 2016 Two Brother’s Summer Festival.

 Watch a video of “Hallelujah” performed in honor of Bryan by a band of all-star Chicago musicians organized by Kevin for an Emmanuel House benefit at the Metro.  It’s grainy and dark, but you’ll get the idea.

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