Clarence Page: America’s “Anxious Class”

Clarence Page's Showing My Color“For better or worse,” writes Clarence Page, “effective politics is often nothing more than an effective appeal to the resentments of those who vote in large numbers, directed against a target group that doesn’t.”  This comes from his essay “Politics: The ‘Race Card’ vs. the Class Card,’” one of the pieces in his 1996 collection Showing My Color.  I excerpted the essay in my book Black Writing from Chicago and return to it over and over now as I observe the 2016 U.S. Presidential race, especially on the Republican side, where Donald Trump’s “appeal to resentments” has been so masterfully effective.  It has thrown “his” party into increasing panic mode.

Trump’s most recent flap—in a campaign seemingly based on one flap after another—is his ever so slow refusal—which still doesn’t seem a really clear refusal—to denounce the support of David Duke, the KKK, and white supremacist followers.  The crux of Page’s essay is the relationship between class anxiety and racism.

Even though written in the mid-90’s the essay seems even more relevant now, 20 years later, especially here:  “Today it is easy to see more clearly than ever that behind middle-class anger, whether it is directed against blacks or taxes, is a greater problem afflicting the group Secretary of Labor Robert Reich called the ‘anxious class.’ They are the vast numbers of Americans who see and feel a growing divide between rich and poor, skilled and unskilled, the secure and the insecure in post-industrial America. They have been feeling increasingly nervous about the trend, which appears to be irreversible, and about the weak responses both major parties were making to it…This middle-class anxiety explains why party loyalty shrunk to record lows by the mid-1990s and the urge to find alternatives soared.”  The last sentence explains not only Trump but the surprising success of Bernie Sanders, so that this election cycle features “radicals” on both the right and left as prominently as it ever has in American electoral history.

Clarence PageThough Americans would rather talk about anything but race—talk about it directly and constructively, that is—it remains an underlying obsession.  Page focuses on Gen. Colin Powell as a figure trapped between America’s denial of race and its obsession with it.  “Powell’s emergence benefited mightily from a national yearning for heroes and ‘outsiders,’” he writes—the “outsider” part having grown more relevant over the past two decades.  Powell “embodied more than any other black hero or celebrity,” Page writes, “the nation’s yearning to transcend its agony over race.”  He was needed, says Page, “to assuage white guilt,” and make it possible “for white Americans to say confidently, No, I am not opposed to all black candidates; I am only opposed to those black candidates who are not like Colin Powell.”  Or Barack Obama?  Many saw his election in 2008 ushering in a post-racial age, a view many still cling to but history has amply disproven at every turn.  His elections, in fact, ushered in a new age of blatant racism, though the effect may be that more Americans are finally dropping their post-racial fantasies and seeing racism as the powerful, pervasive, insidious thing it remains in American society.  That sharpened perception could lead to better days.  In 2004 I published an essay titled “Miscegenation and Me,” where I said I thought we were entering a truly hybrid, multicultural age.  I said that age, however, would be preceded by a huge white backlash, a backlash we see almost daily on some campaign trails.  In a post on February 27, 2013, I reported on a similar idea from Chris Rock. And this morning brings an email from Sojourners magazine with the sender/subject line being: “Jim Wallis: This is the death knell of white supremacy.”

Maybe.

Clarence Page’s essay probes the intersection of race and class, and comes down, mistakenly I believe—even as powerful as the essay remains—on the side of class.  It ends:  “As long as race remains an American dilemma, as Gunnar Myrdal famously declared it to be in the early 1940s, it will play a salient role in American politics. Americans of all races need to learn who their real enemies are.  It is not the members of other races.  It is those who use race as a smokescreen to hide the nation’s deeper agonies over class and a dream of upward mobility that for too many members of all races appears to be rapidly slipping away.”  But race isn’t just a smokescreen because race and class still remain so tightly joined.  White supremacists, so often in the lower classes themselves, want blacks, other people of color or whatever orientation threatens their view of themselves, to remain firmly in a class apart—and preferably below.  But, as I cautiously suggest above, things could be changing in ways that weaken race and class’ tight bond and finally confirm Page’s assertion that class, not race, is the real issue.

Page remains one of the country’s most distinguished journalists.  He is the Washington-based senior correspondent for the Chicago Tribune, and spent many years working in print and TV journalism in Chicago becoming, in 1984, the first black on the Tribune’s editorial board.  He is an essayist and panelist for PBS’s News Hour and a frequent guest on The MacLaughlin Group and other TV news programs.  His writing appears in many newspapers and magazines including The Wall Street Journal, Washington Monthly, the Chicago Reader, New York Newsday, and The New Republic.  Besides an Illinois UPI Award, an E. S. Beck Award for overseas reporting, and the 1987 McGuire Award for his columns on Constitutional rights, Page won a 1972 Pulitzer Prize as part of a Tribune task force on voter fraud, and the 1989 Pulitzer Prize for commentary.

 Go to a list of Black Writers on this site, to the Teaching Diversity main page, and to Black Writing from Chicago.

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Fred Hampton, Sr.: You Can Murder a Liberator, But Not Liberation

Fred Hampton murder sceneOne of the most infamous incidents in Chicago history occurred at 4:45 a.m. December 4, 1969.  At that moment Chicago police entered Black Panther headquarters at 2337 West Monroe, starting a one-sided gun battle that killed Panther leaders Mark Clark (1947-1969) and Fred Hampton (1948-1969).  Indeed, “assassinated” or “murdered” are now the terms more commonly used, and the picture of the bloody bed where he lay and the bullet-riddled wall behind (at left) has become another icon for state terror against Blacks.  1969 saw eleven Southside youths killed in police skirmishes, a dozen Panthers killed or wounded, and over 100 Panthers arrested—numbers which echo eerily and tragically as I post this over 46 years later.   Subsequent research has shown that much of this was under the direction of the FBI, which tracked and harassed Panther leaders and carried out a concerted effort to beat down the Panthers’ “militarily.”

Fred Hampton, Sr.Hampton’s most famous words—“You Can Murder a Liberator, But You Can’t Murder Liberation”—come from his famous speech of the same name, which I excerpted in my book Black Writing from Chicago.   In large part, Hampton defends and extols the leaders of the Black Panther Party, Huey P. Newton in particular.  “It was Huey P. Newton who taught us how the people learn,” he says. “You learn by participation.”  He speaks of Panthers unjustly harassed and jailed, but finally he feels their movement and what it stands for is bigger than any person, leader or not.  “So what do we say?” he asks.  “Don’t get the pigs offa us cause we can stand em.  We jail Mickey White, we should let em murder Bobby Hutton, we should let em run Eldridge Cleaver out of the country.  Why?  Because you can jail a revolutionary, but you can’t jail the revolution.  You can run a freedom fighter around the country but you can’t run freedom fighting around the country.  You can murder a liberator, but you can’t murder liberation.”

Liberation is neither abstract or merely rhetorical because, says Hampton, “…when you’re armed with rhetoric and rhetoric alone a lot of times you get yourself hurt,” or begin to think talk is real action.  Among the real actions he’s most proud of is the Breakfast For Children Program.  “Our Breakfast for Children program is feeding a lot of chi1dren and the people understand our Breakfast for Children program.  We sayin’ something like this—we saying that theory’s cool, but theory with no practice ain’t shit…We have a theory about feeding kids free. What’d we do? We put it into practice.  That’s how people learn.  A lot of people don’t know how serious the thing is.  They think the children we feed ain’t really hungry.  I don’t know five year old kids that can act well, but I know that if they not hungry we sure got some actors.  We got five year old actors that could take the academy award.”

Fred Hampton documentaryFive thousand people attended Hampton’s funeral, where he was eulogized by such black leaders as Ralph Abernathy and Jesse Jackson, who said: “…when Fred was shot in Chicago, black people in particular, and decent people in general, bled everywhere.”  Hampton’s assassination has been commemorated in much literature, notably in Haki Madhubuti’s “One-Sided Shoot-out,” which ends: “our enemies scope the ways of blackness in three bad / shifts a day. / in the A.M. their music becomes deadlier. / this is a game of dirt. / only blackpeople play it fair.”  Hampton, who started as a Youth Council leader for the NAACP before founding and chairing the Illinois Black Panther Party, was known as a restrained, articulate organizer.  However, his most central speech, as well as several interviews he gave to Chicago papers in the late 60’s, show that his frustration with obstacles to reform—as well as everyday brutality against Blacks—drove him to accept violence as often necessary, especially for self-defense.   In 1990 a “Fred Hampton Day” was declared in Chicago.  His son, Fred Hampton, Jr., also gained notoriety as a political prisoner.  He was released in September 2001 after nearly ten years in jail and intense protest by the International Campaign to Free Fred Hampton, Jr., and the Democratic Uhuru Movement.

 Go to the Black Writing from Chicago page, and to a list of Black Writers on this site.

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Barbie’s New Bods

New Barbies

In 2002 the Daily Herald asked me to write a piece about “the state of race relations,” and I responded with “Turning a Corner on Racism”—a cheery title, though many pointed out I spent as much time, maybe more, back-peddling and being cautious than defending my claim.  A good thing, too, since the ensuing years would bring us the extraordinary series of events we now find ourselves in the midst of—events “starting” with Trayvon Martin (an incident with thousands of precedents) and continuing through Eric Garner, Michael Brown and Ferguson, Freddy Green and Baltimore, the Charleston church shootings, Laquan McDonald in Chicago, etc. etc. etc.

In 2004 I published a piece called “Miscegenation and Me” in which I speculated on the coming of a new age of the hybrid, a true multicultural era, though I warned of a backlash of the “old order,” a backlash now spectacularly evident as anti-immigration, xenophobia, and wondrously backward thinking run rampant in huge portions of the 2016 U.S. Presidential race.

All this is heavy stuff, and I think of myself as naïve, prescient, and stupid all at once.  And now along comes Barbie and her new bods—tall, curvy, and petite, with 7 new skin tones and 22 eye colors joining regular Barbie.  Is this a sign of equal importance to, say, the magnitude of Donald Trump’s rallies and poll leads?

Mattel ships all the new models sometime this February 2016, and the news has done a respectable number of stories with girls of color and girls of differing statures emoting over dolls that now look more like them.  But it still is Barbie, afterall, and much of the cultural stock surrounding her and influencing children in less than healthy ways remains.  In her now often-anthologized story “Barbie-Q,” Sandra Cisneros uses the voice of a young girl who enthuses over an unexpected find: Barbie costumes and dolls she and her friends thought they could never afford, now offered at cut-rate prices at Chicago’s Maxwell St. street market because a toy warehouse has burned down.  The burnt smell lingers even after repeated washing, and here and there a body part’s a little melted, but who’ll know if you don’t sniff too close and you cover the melted parts with costumes?  It’s partly a commentary on race and class and the “white desires” of girls of color, and the enthusiasm is balanced with a underlying cynicism that’s young and actually hopeful.  Before getting carried away by her find, for example, the narrator says, “Every time the same story. Your Barbie is roommates with my Barbie, and my Barbie’s boyfriend comes over and your Barbie steals him, okay? Kiss kiss kiss.  Then the two Barbies fight.  You dumbbell!”

Mattel is hardly the first company to diversify its toys, but Barbie is so iconic, so “American,” that—though I’m still abundantly cautious—all these new bods and colors may be as sure a sign as any of that new multicultural age and a shift in U.S. history.  Often things that seem innocent and trivial—just child’s play—are more telling, and finally more potent, than the louder, more grown-up noises of the day.

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